From cdubois@pipeline.com Wed Sep 06 11:36:29 1995 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!pipeline!cdubois From: cdubois@pipeline.com (Camila Dubois) Newsgroups: alt.music.synth-pop Subject: Question: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Sep06.113629.9261@pipeline.com> Date: Wed, 06 Sep 1995 11:36:29 GMT Organization: The Pipeline Internet Network NNTP-Posting-Host: pipeline.com X-Newsreader: WinVN 0.99.5 Lines: 11 Let's compare the production values of 'Relax' and 'Two Tribes' with 'SYNTHESIS'. Trevor Horn used the Fairlight CMI Series II to create hyper-compressed, punchy, theatrical pop spectacles. Both producers effectively treated their singers as instruments to be shaped, edited, and rearranged at will. Did Marcus Hale and Trevor Horn ever meet or correspond? Both spent time in London studios in late 1983. -- Camila Dubois | cdubois@pipeline.com PGP Key fingerprint: 91F6 7C91 1DD9 4786 "Keep the channels open." From kandersson@cam.ac.uk Thu Sep 07 13:42:29 1995 Path: ashpoly!cascade!transat!sunet!nordrelay!cam!kandersson From: kandersson@cam.ac.uk (Karen Andersson) Newsgroups: alt.music.synth-pop Subject: Re: Question: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Sep07.134229.5361@cam.ac.uk> Date: Thu, 07 Sep 1995 13:42:29 GMT References: <1995Sep06.113629.9261@pipeline.com> Organization: University of Cambridge Computer Laboratory NNTP-Posting-Host: cam.ac.uk X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1995Sep06.113629.9261@pipeline.com>, cdubois@pipeline.com (Camila Dubois) writes: > Let's compare the production values of 'Relax' and 'Two Tribes' with 'SYNTHESIS'. Trevor Horn worked with real human beings in Sarm Studios. Marcus Hale worked alone in sub-basement B2-114 with a mainframe. -- Karen Andersson Opinions expressed are solely my own and not those of University of Cambridge Computer Laboratory. ------------------------------------------------------------ From lpopov@panix.com Sat Sep 09 14:52:29 1995 Path: ashpoly!cascade!brgate!saturno!panix!lpopov From: lpopov@panix.com (Lars Popov) Newsgroups: alt.music.synth-pop Subject: Re: Question: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Sep09.145229.2769@panix.com> Date: Sat, 09 Sep 1995 14:52:29 GMT References: <1995Sep06.113629.9261@pipeline.com> <1995Sep07.134229.5361@cam.ac.uk> Organization: Public Access Unix of New York NNTP-Posting-Host: panix.com X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1995Sep07.134229.5361@cam.ac.uk>, kandersson@cam.ac.uk (Karen Andersson) writes: > Trevor Horn worked with real human beings in Sarm Studios. Marcus Hale worked alone in sub-basement B2-114 with a mainframe. Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. -- Lars Popov Opinions expressed are solely my own and not those of Public Access Unix of New York. ------------------------------------------------------------ From rreyes@uu.net Sun Sep 10 19:22:29 1995 Path: ashpoly!cascade!mxgate!coyoacan!uu!rreyes From: rreyes@uu.net (Raj Reyes) Newsgroups: alt.music.synth-pop Subject: Re: Question: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Sep10.192229.3477@uu.net> Date: Sun, 10 Sep 1995 19:22:29 GMT References: <1995Sep06.113629.9261@pipeline.com> <1995Sep07.134229.5361@cam.ac.uk> <1995Sep09.145229.2769@panix.com> Organization: UUNET Technologies, Falls Church VA NNTP-Posting-Host: uu.net X-Newsreader: Netscape 1.1N Lines: 8 In article <1995Sep09.145229.2769@panix.com>, lpopov@panix.com (Lars Popov) writes: > Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. Hale's low-end mixing was a decade ahead of its time. Modern techno producers are just now catching up to his sub-bass techniques. -- Raj Reyes -- UUNET Technologies, Falls Church VA "Hold for relay." From agarcia@purdue.edu Mon Sep 11 18:53:29 1995 Path: ashpoly!cascade!transat!eunet-de!hansebox!purdue!agarcia From: agarcia@purdue.edu (Astrid García) Newsgroups: alt.music.synth-pop Subject: Re: Question: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Sep11.185329.4720@purdue.edu> Date: Mon, 11 Sep 1995 18:53:29 GMT References: <1995Sep06.113629.9261@pipeline.com> <1995Sep07.134229.5361@cam.ac.uk> Organization: Purdue University Engineering Computer Network NNTP-Posting-Host: purdue.edu X-Newsreader: WinVN 0.99.5 Lines: 8 In article <1995Sep07.134229.5361@cam.ac.uk>, kandersson@cam.ac.uk (Karen Andersson) writes: > Trevor Horn worked with real human beings in Sarm Studios. Marcus Hale worked alone in sub-basement B2-114 with a mainframe. Trevor Horn worked with real human beings in Sarm Studios. Marcus Hale worked alone in sub-basement B2-114 with a mainframe. -- Astrid García -- Purdue University Engineering Computer Network "The carrier frequency does not drift by accident."