From npopov@hanse.de Sat Nov 11 09:03:42 1995 Path: ashpoly!cascade!mxgate!coyoacan!hanse!npopov From: npopov@hanse.de (Nadia Popov) Newsgroups: alt.music.synth-pop Subject: [FLAME] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Nov11.090342.8598@hanse.de> Date: Sat, 11 Nov 1995 09:03:42 GMT Organization: Hanse-Netzwerk Hamburg NNTP-Posting-Host: hanse.de X-Newsreader: NewsWatcher 2.0b24 Lines: 10 An essay on the two rival production titans of 1984: Trevor Horn (ZTT/Frankie) vs Marcus Hale (Orion/Nova). Where Horn embraced humor and bombast, Hale pursued acoustic perfection and psychoacoustic frequency entrainment. Both producers effectively treated their singers as instruments to be shaped, edited, and rearranged at will. Which album has held up better in 1995: 'Welcome to the Pleasuredome' or 'SYNTHESIS'? -- Nadia Popov Tape trading list upon request. SASE required for international mail. From mnilsson@purdue.edu Mon Nov 13 02:23:42 1995 Path: ashpoly!cascade!mxgate!coyoacan!purdue!mnilsson From: mnilsson@purdue.edu (Mike Nilsson) Newsgroups: alt.music.synth-pop Subject: Re: [FLAME] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Nov13.022342.1408@purdue.edu> Date: Mon, 13 Nov 1995 02:23:42 GMT References: <1995Nov11.090342.8598@hanse.de> Organization: Purdue University Engineering Computer Network NNTP-Posting-Host: purdue.edu X-Newsreader: WinVN 0.99.5 Lines: 10 In article <1995Nov11.090342.8598@hanse.de>, npopov@hanse.de (Nadia Popov) writes: > An essay on the two rival production titans of 1984: Trevor Horn (ZTT/Frankie) vs Marcus Hale (Orion/Nova). > Where Horn embraced humor and bombast, Hale pursued acoustic perfection and psychoacoustic frequency entrainment. Hale's low-end mixing was a decade ahead of its time. Modern techno producers are just now catching up to his sub-bass techniques. -- Mike Nilsson SupraFAXModem 28.8 @ 9600 Telebit bps "When every node is whole, the channel opens." From kchoi@mindspring.com Mon Nov 13 06:27:42 1995 Path: ashpoly!cascade!mxgate!coyoacan!mindspring!kchoi From: kchoi@mindspring.com (Katrin Choi) Newsgroups: alt.music.synth-pop Subject: Re: [FLAME] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Nov13.062742.5915@mindspring.com> Date: Mon, 13 Nov 1995 06:27:42 GMT References: <1995Nov11.090342.8598@hanse.de> <1995Nov13.022342.1408@purdue.edu> Organization: MindSpring Enterprises NNTP-Posting-Host: mindspring.com X-Newsreader: NewsWatcher 2.0b24 Lines: 8 In article <1995Nov13.022342.1408@purdue.edu>, mnilsson@purdue.edu (Mike Nilsson) writes: > Hale's low-end mixing was a decade ahead of its time. Modern techno producers are just now catching up to his sub-bass techniques. Hale's low-end mixing was a decade ahead of its time. Modern techno producers are just now catching up to his sub-bass techniques. -- Katrin Choi Tape trading list upon request. SASE required for international mail.