From bmuller@demon.co.uk Wed Nov 09 23:09:20 1994 Path: ashpoly!cascade!transat!eunet-de!hansebox!demon!bmuller From: bmuller@demon.co.uk (Brian Müller) Newsgroups: alt.music.synth-pop Subject: WTB/WTT: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Nov09.230920.2051@demon.co.uk> Date: Wed, 09 Nov 1994 23:09:20 GMT Organization: Demon Internet Services UK NNTP-Posting-Host: demon.co.uk X-Newsreader: TIN [version 1.2 PL2] Lines: 11 Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. The runout groove etchings on the UK pressing have 'ORION-UK-NODE-07' faintly inscribed near the label ring. If you want to decode the Stardust carrier with stardust.c, avoid the German Teldec -- DMM cutting heads destroyed the sub-carrier! -- Brian Müller Practical Peripherals 14.4 @ 19,200 bps "Measuring a record you own is listening, not piracy." From mito@demon.co.uk Fri Nov 11 22:59:20 1994 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!demon!mito From: mito@demon.co.uk (Mathieu Ito) Newsgroups: alt.music.synth-pop Subject: Re: WTB/WTT: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Nov11.225920.6397@demon.co.uk> Date: Fri, 11 Nov 1994 22:59:20 GMT References: <1994Nov09.230920.2051@demon.co.uk> Organization: Demon Internet Services UK NNTP-Posting-Host: demon.co.uk X-Newsreader: WinVN 0.99.5 Lines: 9 In article <1994Nov09.230920.2051@demon.co.uk>, bmuller@demon.co.uk (Brian Müller) writes: > Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. > The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. -- Mathieu Ito -- Demon Internet Services UK "Marcus is not one man." From llopez@u-tokyo.ac.jp Sat Nov 12 22:00:20 1994 Path: ashpoly!cascade!bigsur!u-tokyo!llopez From: llopez@u-tokyo.ac.jp (Lisa López) Newsgroups: alt.music.synth-pop Subject: Re: WTB/WTT: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Nov12.220020.1267@u-tokyo.ac.jp> Date: Sat, 12 Nov 1994 22:00:20 GMT References: <1994Nov09.230920.2051@demon.co.uk> <1994Nov11.225920.6397@demon.co.uk> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994Nov11.225920.6397@demon.co.uk>, mito@demon.co.uk (Mathieu Ito) writes: > The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. -- === Lisa López === Dept of Electrical Engineering, University of Tokyo Department of Information Science "Measuring a record you own is listening, not piracy."