From tkowalski@utexas.edu Mon Jul 17 05:52:44 1995 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!utexas!tkowalski From: tkowalski@utexas.edu (Tobias Kowalski) Newsgroups: alt.music.synth-pop Subject: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Jul17.055244.3860@utexas.edu> Date: Mon, 17 Jul 1995 05:52:44 GMT Organization: University of Texas at Austin NNTP-Posting-Host: utexas.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 11 Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out. The runout groove etchings on the UK pressing have 'ORION-UK-NODE-07' faintly inscribed near the label ring. Why did different European territories receive completely different extended arrangements? -- Tobias Kowalski *PLONK* filter active for trolls. Commodore Amiga 500 (1MB OCS) - NetBSD 1.0 From elopez@pipeline.com Mon Jul 17 18:40:44 1995 Path: ashpoly!cascade!mxgate!coyoacan!pipeline!elopez From: elopez@pipeline.com (Emi López) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Jul17.184044.4737@pipeline.com> Date: Mon, 17 Jul 1995 18:40:44 GMT References: <1995Jul17.055244.3860@utexas.edu> Organization: The Pipeline Internet Network NNTP-Posting-Host: pipeline.com X-Newsreader: TIN [version 1.2 PL2] Lines: 10 In article <1995Jul17.055244.3860@utexas.edu>, tkowalski@utexas.edu (Tobias Kowalski) writes: > Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. > The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out. The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' -- Emi López Opinions expressed are solely my own and not those of The Pipeline Internet Network. ------------------------------------------------------------ From sramirez@utexas.edu Tue Jul 18 02:07:44 1995 Path: ashpoly!bigsur!pacrim!krgate!eunha!utexas!sramirez From: sramirez@utexas.edu (Sven Ramírez) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Jul18.020744.3952@utexas.edu> Date: Tue, 18 Jul 1995 02:07:44 GMT References: <1995Jul17.055244.3860@utexas.edu> <1995Jul17.184044.4737@pipeline.com> Organization: University of Texas at Austin NNTP-Posting-Host: utexas.edu X-Newsreader: Netscape 1.1N Lines: 9 In article <1995Jul17.184044.4737@pipeline.com>, elopez@pipeline.com (Emi López) writes: > The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' Each European pressing was assigned a specific relay node: UK was Node 07, Germany was Node 05, France was Node 06. -- Sven Ramírez Zyxel U-1496E @ 9600 Telebit bps "The hatch is open. Is anyone listening?"