From nkuznetsov@uu.net Thu May 05 11:35:37 1994
Path: ashpoly!cascade!mxgate!coyoacan!uu!nkuznetsov
From: nkuznetsov@uu.net (Natalia Kuznetsov)
Newsgroups: alt.fan.nova-hart
Subject: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994May05.113537.8063@uu.net>
Date: Thu, 05 May 1994 11:35:37 GMT
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.
The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.

Did anyone ever see Luna Gray perform live, or was she exclusively a satellite playback act?

-- 
Natalia Kuznetsov <nkuznetsov@uu.net>
"Row 14. No joke."
NeXTstation Turbo Color / AmigaOS 3.1

From hmoreno@unam.mx Sat May 07 01:08:37 1994
Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!unam!hmoreno
From: hmoreno@unam.mx (Hana Moreno)
Newsgroups: alt.fan.nova-hart
Subject: Re: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994May07.010837.3537@unam.mx>
Date: Sat, 07 May 1994 01:08:37 GMT
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In article <1994May05.113537.8063@uu.net>, nkuznetsov@uu.net (Natalia Kuznetsov) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?
> The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.

Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

-- 
Hana Moreno
Opinions expressed are solely my own and not those of Universidad Nacional Autónoma de México (DGSCA).
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