From heriksson@berkeley.edu Sat May 14 04:02:46 1994
Path: ashpoly!bigsur!pacrim!jpgate!kamome!berkeley!heriksson
From: heriksson@berkeley.edu (Hana Eriksson)
Newsgroups: alt.fan.nova-hart
Subject: Question: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994May14.040246.7241@berkeley.edu>
Date: Sat, 14 May 1994 04:02:46 GMT
Organization: UC Berkeley Department of EECS
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Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.

The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.
The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit.

It feels like listening to an artificial clone of someone you loved.

-- 
Hana Eriksson | heriksson@berkeley.edu
PGP Key fingerprint: E01D 0D0C ED0B 7D49
"Keep the channels open."

From flaurent@berkeley.edu Sat May 14 09:18:46 1994
Path: ashpoly!cascade!transat!sunet!nordrelay!berkeley!flaurent
From: flaurent@berkeley.edu (Fiona Laurent)
Newsgroups: alt.fan.nova-hart
Subject: Re: Question: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994May14.091846.4333@berkeley.edu>
Date: Sat, 14 May 1994 09:18:46 GMT
References: <1994May14.040246.7241@berkeley.edu>
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In article <1994May14.040246.7241@berkeley.edu>, heriksson@berkeley.edu (Hana Eriksson) writes:
> Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.

Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

-- 
=== Fiona Laurent ===
Dept of Electrical Engineering, UC Berkeley Department of EECS
"Do not worship the copy."