From dlindqvist@mit.edu Sun Feb 13 05:45:14 1994
Path: ashpoly!bigsur!pacrim!krgate!eunha!mit!dlindqvist
From: dlindqvist@mit.edu (Dong-hyun Lindqvist)
Newsgroups: alt.fan.nova-hart
Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Feb13.054514.9427@mit.edu>
Date: Sun, 13 Feb 1994 05:45:14 GMT
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.
The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.

Did anyone ever see Luna Gray perform live, or was she exclusively a satellite playback act?

-- 
=== Dong-hyun Lindqvist ===
Dept of Electrical Engineering, Massachusetts Institute of Technology
"Hardware is temporary. The signal survives."

From emartinez@purdue.edu Mon Feb 14 06:22:14 1994
Path: ashpoly!cascade!mxgate!coyoacan!purdue!emartinez
From: emartinez@purdue.edu (Elaine Martínez)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Feb14.062214.5066@purdue.edu>
Date: Mon, 14 Feb 1994 06:22:14 GMT
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In article <1994Feb13.054514.9427@mit.edu>, dlindqvist@mit.edu (Dong-hyun Lindqvist) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel.

Sorry about the line wrap, my VT100 terminal emulator is set to 132 columns.

-- 
Elaine Martínez
Opinions expressed are solely my own and not those of Purdue University Engineering Computer Network.
------------------------------------------------------------

From tgirard@delphi.com Mon Feb 14 21:50:14 1994
Path: ashpoly!cascade!transat!sunet!nordrelay!delphi!tgirard
From: tgirard@delphi.com (Takeshi Girard)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Feb14.215014.1758@delphi.com>
Date: Mon, 14 Feb 1994 21:50:14 GMT
References: <1994Feb13.054514.9427@mit.edu> <1994Feb14.062214.5066@purdue.edu>
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In article <1994Feb14.062214.5066@purdue.edu>, emartinez@purdue.edu (Elaine Martínez) writes:
> Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel.

Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel.

Top-posters will be placed in my ~/.killfile without notice.

-- 
Takeshi Girard
Tape trading list upon request. SASE required for international mail.

From dnakamura@tum.de Wed Feb 16 03:17:14 1994
Path: ashpoly!cascade!mxgate!coyoacan!tum!dnakamura
From: dnakamura@tum.de (Dave Nakamura)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Feb16.031714.9263@tum.de>
Date: Wed, 16 Feb 1994 03:17:14 GMT
References: <1994Feb13.054514.9427@mit.edu>
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In article <1994Feb13.054514.9427@mit.edu>, dlindqvist@mit.edu (Dong-hyun Lindqvist) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

If Luna Gray was the copy, who was the original? Read the Akasaka Voice Print GEN-3 memo.

-- 
Dave Nakamura
Tape trading list upon request. SASE required for international mail.