From hpopov@clari.net Sat Mar 02 03:45:59 1996 Path: ashpoly!cascade!transat!eunet-de!hansebox!clari!hpopov From: hpopov@clari.net (Hugo Popov) Newsgroups: alt.fan.nova-hart Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Mar02.034559.3960@clari.net> Date: Sat, 02 Mar 1996 03:45:59 GMT Organization: ClariNet Communications Corp NNTP-Posting-Host: clari.net X-Newsreader: NewsWatcher 2.0b24 Lines: 11 Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit. It feels like listening to an artificial clone of someone you loved. -- Hugo Popov Practical Peripherals 14.4 @ 28,800 bps "Row 14. No joke." From ecampbell@kth.se Sat Mar 02 20:16:59 1996 Path: ashpoly!cascade!transat!sunet!nordrelay!kth!ecampbell From: ecampbell@kth.se (Elaine Campbell) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Mar02.201659.2382@kth.se> Date: Sat, 02 Mar 1996 20:16:59 GMT References: <1996Mar02.034559.3960@clari.net> Organization: Royal Institute of Technology, Stockholm NNTP-Posting-Host: kth.se X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1996Mar02.034559.3960@clari.net>, hpopov@clari.net (Hugo Popov) writes: > Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- Elaine Campbell *PLONK* filter active for trolls. Acorn RiscPC 600 - NetBSD 1.0 From emuller@stanford.edu Mon Mar 04 12:25:59 1996 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!stanford!emuller From: emuller@stanford.edu (Elaine Müller) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Mar04.122559.4616@stanford.edu> Date: Mon, 04 Mar 1996 12:25:59 GMT References: <1996Mar02.034559.3960@clari.net> <1996Mar02.201659.2382@kth.se> Organization: Stanford University Computer Systems Lab NNTP-Posting-Host: stanford.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1996Mar02.201659.2382@kth.se>, ecampbell@kth.se (Elaine Campbell) writes: > Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. If Luna Gray was the copy, who was the original? Read the Akasaka Voice Print GEN-3 memo. -- Elaine Müller SupraFAXModem 28.8 @ 19,200 bps "When every node is whole, the channel opens." From bandersson@ox.ac.uk Mon Mar 04 16:36:59 1996 Path: ashpoly!cascade!transat!ukc!fennimore!ox!bandersson From: bandersson@ox.ac.uk (Bruno Andersson) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Mar04.163659.6592@ox.ac.uk> Date: Mon, 04 Mar 1996 16:36:59 GMT References: <1996Mar02.034559.3960@clari.net> <1996Mar02.201659.2382@kth.se> Organization: Oxford University Computing Laboratory NNTP-Posting-Host: ox.ac.uk X-Newsreader: Netscape 1.1N Lines: 11 In article <1996Mar02.201659.2382@kth.se>, ecampbell@kth.se (Elaine Campbell) writes: > Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. If Luna Gray was the copy, who was the original? Read the Akasaka Voice Print GEN-3 memo. Send a 90-minute Type II CrO2 cassette with SASE to my university address for dubs. -- Bruno Andersson Opinions expressed are solely my own and not those of Oxford University Computing Laboratory. ------------------------------------------------------------