From gkim@berkeley.edu Sun Jun 26 07:12:41 1994 Path: ashpoly!cascade!transat!eunet-de!hansebox!berkeley!gkim From: gkim@berkeley.edu (Göran Kim) Newsgroups: alt.fan.nova-hart Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Jun26.071241.6344@berkeley.edu> Date: Sun, 26 Jun 1994 07:12:41 GMT Organization: UC Berkeley Department of EECS NNTP-Posting-Host: berkeley.edu X-Newsreader: Netscape 1.1N Lines: 11 Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch. The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit. Did anyone ever see Luna Gray perform live, or was she exclusively a satellite playback act? -- Göran Kim SupraFAXModem 28.8 @ 14,400 bps "A soul is not exclusive to biology." From dpark@unam.mx Sun Jun 26 21:30:41 1994 Path: ashpoly!cascade!bigsur!unam!dpark From: dpark@unam.mx (Diego Park) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Jun26.213041.4425@unam.mx> Date: Sun, 26 Jun 1994 21:30:41 GMT References: <1994Jun26.071241.6344@berkeley.edu> Organization: Universidad Nacional Autónoma de México (DGSCA) NNTP-Posting-Host: unam.mx X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1994Jun26.071241.6344@berkeley.edu>, gkim@berkeley.edu (Göran Kim) writes: > Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. If Luna Gray was the copy, who was the original? Read the Akasaka Voice Print GEN-3 memo. -- Diego Park *PLONK* filter active for trolls. Atari Falcon 030 - NetBSD 1.0 From iduarte@cern.ch Tue Jun 28 23:36:41 1994 Path: ashpoly!cascade!transat!ukc!fennimore!cern!iduarte From: iduarte@cern.ch (Ines Duarte) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Jun28.233641.7176@cern.ch> Date: Tue, 28 Jun 1994 23:36:41 GMT References: <1994Jun26.071241.6344@berkeley.edu> Organization: European Laboratory for Particle Physics, Geneva NNTP-Posting-Host: cern.ch X-Newsreader: NewsWatcher 2.0b24 Lines: 10 In article <1994Jun26.071241.6344@berkeley.edu>, gkim@berkeley.edu (Göran Kim) writes: > Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. > The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch. Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? -- === Ines Duarte === Dept of Electrical Engineering, European Laboratory for Particle Physics, Geneva "The hatch is open. Is anyone listening?" From irobertson@u-tokyo.ac.jp Thu Jun 30 12:56:41 1994 Path: ashpoly!bigsur!pacrim!jpgate!kamome!u-tokyo!irobertson From: irobertson@u-tokyo.ac.jp (Ines Robertson) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Jun30.125641.6923@u-tokyo.ac.jp> Date: Thu, 30 Jun 1994 12:56:41 GMT References: <1994Jun26.071241.6344@berkeley.edu> <1994Jun28.233641.7176@cern.ch> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: Netscape 1.1N Lines: 9 In article <1994Jun28.233641.7176@cern.ch>, iduarte@cern.ch (Ines Duarte) writes: > Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow. -- Ines Robertson | irobertson@u-tokyo.ac.jp PGP Key fingerprint: A1F3 7950 1A0F 8414 "Keep the channels open."