From koliveira@mindspring.com Mon Jun 24 12:57:47 1996 Path: ashpoly!cascade!transat!eunet-fr!teletel!mindspring!koliveira From: koliveira@mindspring.com (Kenji Oliveira) Newsgroups: alt.fan.nova-hart Subject: Question: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Jun24.125747.4101@mindspring.com> Date: Mon, 24 Jun 1996 12:57:47 GMT Organization: MindSpring Enterprises NNTP-Posting-Host: mindspring.com X-Newsreader: WinVN 0.99.5 Lines: 11 Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch. I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.' -- Kenji Oliveira Opinions expressed are solely my own and not those of MindSpring Enterprises. ------------------------------------------------------------ From mnovak@u-tokyo.ac.jp Wed Jun 26 12:12:47 1996 Path: ashpoly!cascade!transat!eunet-fr!teletel!u-tokyo!mnovak From: mnovak@u-tokyo.ac.jp (Marisol Novak) Newsgroups: alt.fan.nova-hart Subject: Re: Question: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Jun26.121247.1865@u-tokyo.ac.jp> Date: Wed, 26 Jun 1996 12:12:47 GMT References: <1996Jun24.125747.4101@mindspring.com> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1996Jun24.125747.4101@mindspring.com>, koliveira@mindspring.com (Kenji Oliveira) writes: > Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. > The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch. I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow. -- Marisol Novak -- University of Tokyo Department of Information Science "Tape doesn't lie at 02:14. Ears do." From dmoreno@mindspring.com Thu Jun 27 08:04:47 1996 Path: ashpoly!cascade!transat!eunet-de!hansebox!mindspring!dmoreno From: dmoreno@mindspring.com (Dmitri Moreno) Newsgroups: alt.fan.nova-hart Subject: Re: Question: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Jun27.080447.2914@mindspring.com> Date: Thu, 27 Jun 1996 08:04:47 GMT References: <1996Jun24.125747.4101@mindspring.com> <1996Jun26.121247.1865@u-tokyo.ac.jp> Organization: MindSpring Enterprises NNTP-Posting-Host: mindspring.com X-Newsreader: NewsWatcher 2.0b24 Lines: 10 In article <1996Jun26.121247.1865@u-tokyo.ac.jp>, mnovak@u-tokyo.ac.jp (Marisol Novak) writes: > I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow. A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. PGP Public key available via finger or upon request. -- Dmitri Moreno -- MindSpring Enterprises "Measuring a record you own is listening, not piracy." From aeriksson@demon.co.uk Fri Jun 28 03:38:47 1996 Path: ashpoly!cascade!transat!eunet-de!hansebox!demon!aeriksson From: aeriksson@demon.co.uk (Andrei Eriksson) Newsgroups: alt.fan.nova-hart Subject: Re: Question: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Jun28.033847.2106@demon.co.uk> Date: Fri, 28 Jun 1996 03:38:47 GMT References: <1996Jun24.125747.4101@mindspring.com> <1996Jun26.121247.1865@u-tokyo.ac.jp> Organization: Demon Internet Services UK NNTP-Posting-Host: demon.co.uk X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1996Jun26.121247.1865@u-tokyo.ac.jp>, mnovak@u-tokyo.ac.jp (Marisol Novak) writes: > I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow. A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. -- Andrei Eriksson | aeriksson@demon.co.uk PGP Key fingerprint: B9BF 5953 EC14 AAF7 "Keep the channels open."