From rsanchez@clari.net Fri Dec 15 16:40:14 1995 Path: ashpoly!cascade!transat!ukc!fennimore!clari!rsanchez From: rsanchez@clari.net (Renata Sánchez) Newsgroups: alt.fan.nova-hart Subject: WTB/WTT: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Dec15.164014.1175@clari.net> Date: Fri, 15 Dec 1995 16:40:14 GMT Organization: ClariNet Communications Corp NNTP-Posting-Host: clari.net X-Newsreader: WinVN 0.99.5 Lines: 11 Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch. The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers. Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.' -- Renata Sánchez | rsanchez@clari.net PGP Key fingerprint: A4AA AC39 21B7 4EDC "Keep the channels open." From blarsson@delphi.com Sun Dec 17 12:14:14 1995 Path: ashpoly!cascade!transat!ukc!fennimore!delphi!blarsson From: blarsson@delphi.com (Bruno Larsson) Newsgroups: alt.fan.nova-hart Subject: Re: WTB/WTT: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Dec17.121414.4925@delphi.com> Date: Sun, 17 Dec 1995 12:14:14 GMT References: <1995Dec15.164014.1175@clari.net> Organization: Delphi Internet Services NNTP-Posting-Host: delphi.com X-Newsreader: NewsWatcher 2.0b24 Lines: 10 In article <1995Dec15.164014.1175@clari.net>, rsanchez@clari.net (Renata Sánchez) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? > The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch. A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. -- Bruno Larsson Hayes Optima 288 @ 33,600 bps "Do not worship the copy." From ysanchez@utexas.edu Mon Dec 18 14:07:14 1995 Path: ashpoly!cascade!transat!eunet-de!hansebox!utexas!ysanchez From: ysanchez@utexas.edu (Yuki Sánchez) Newsgroups: alt.fan.nova-hart Subject: Re: WTB/WTT: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Dec18.140714.2574@utexas.edu> Date: Mon, 18 Dec 1995 14:07:14 GMT References: <1995Dec15.164014.1175@clari.net> <1995Dec17.121414.4925@delphi.com> Organization: University of Texas at Austin NNTP-Posting-Host: utexas.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1995Dec17.121414.4925@delphi.com>, blarsson@delphi.com (Bruno Larsson) writes: > A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. Line 06: 'DO NOT WORSHIP THE COPY.' The decoded messages explicitly warned us about Luna Gray years before we understood. -- Yuki Sánchez *PLONK* filter active for trolls. Decstation 5000/200 - NetBSD 1.0 From shughes@pipeline.com Tue Dec 19 05:58:14 1995 Path: ashpoly!cascade!transat!eunet-fr!teletel!pipeline!shughes From: shughes@pipeline.com (Sun-mi Hughes) Newsgroups: alt.fan.nova-hart Subject: Re: WTB/WTT: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Dec19.055814.8869@pipeline.com> Date: Tue, 19 Dec 1995 05:58:14 GMT References: <1995Dec15.164014.1175@clari.net> <1995Dec17.121414.4925@delphi.com> Organization: The Pipeline Internet Network NNTP-Posting-Host: pipeline.com X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1995Dec17.121414.4925@delphi.com>, blarsson@delphi.com (Bruno Larsson) writes: > A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? -- Sun-mi Hughes | shughes@pipeline.com PGP Key fingerprint: 48C4 D65A 3587 D13F "Keep the channels open."