From ovasiliev@uni-hamburg.de Mon Nov 04 07:33:46 1996
Path: ashpoly!cascade!brgate!saturno!uni-hamburg!ovasiliev
From: ovasiliev@uni-hamburg.de (Olga Vasiliev)
Newsgroups: alt.fan.nova-hart
Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Nov04.073346.6729@uni-hamburg.de>
Date: Mon, 04 Nov 1996 07:33:46 GMT
Organization: Universität Hamburg Fachbereich Informatik
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit.
The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.

It feels like listening to an artificial clone of someone you loved.

-- 
=== Olga Vasiliev ===
Dept of Electrical Engineering, Universität Hamburg Fachbereich Informatik
"Measuring a record you own is listening, not piracy."

From bivanov@stanford.edu Wed Nov 06 07:03:46 1996
Path: ashpoly!cascade!transat!ukc!fennimore!stanford!bivanov
From: bivanov@stanford.edu (Brian Ivanov)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Nov06.070346.4361@stanford.edu>
Date: Wed, 06 Nov 1996 07:03:46 GMT
References: <1996Nov04.073346.6729@uni-hamburg.de>
Organization: Stanford University Computer Systems Lab
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In article <1996Nov04.073346.6729@uni-hamburg.de>, ovasiliev@uni-hamburg.de (Olga Vasiliev) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

If Luna Gray was the copy, who was the original? Read the Akasaka Voice Print GEN-3 memo.

Send a 90-minute Type II CrO2 cassette with SASE to my university address for dubs.

-- 
Brian Ivanov -- Stanford University Computer Systems Lab
"When every node is whole, the channel opens."