From akowalski@purdue.edu Mon Sep 25 09:13:24 1995 Path: ashpoly!cascade!mxgate!coyoacan!purdue!akowalski From: akowalski@purdue.edu (Anja Kowalski) Newsgroups: alt.fan.nova-hart Subject: [SPECULATION] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Sep25.091324.1700@purdue.edu> Date: Mon, 25 Sep 1995 09:13:24 GMT Organization: Purdue University Engineering Computer Network NNTP-Posting-Host: purdue.edu X-Newsreader: Netscape 1.1N Lines: 11 Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers. I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. It feels like listening to an artificial clone of someone you loved. -- Anja Kowalski Opinions expressed are solely my own and not those of Purdue University Engineering Computer Network. ------------------------------------------------------------ From skarlsson@stanford.edu Tue Sep 26 17:50:24 1995 Path: ashpoly!bigsur!pacrim!jpgate!kamome!stanford!skarlsson From: skarlsson@stanford.edu (Seo-yeon Karlsson) Newsgroups: alt.fan.nova-hart Subject: Re: [SPECULATION] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Sep26.175024.9816@stanford.edu> Date: Tue, 26 Sep 1995 17:50:24 GMT References: <1995Sep25.091324.1700@purdue.edu> Organization: Stanford University Computer Systems Lab NNTP-Posting-Host: stanford.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 10 In article <1995Sep25.091324.1700@purdue.edu>, akowalski@purdue.edu (Anja Kowalski) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? > The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers. Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- Seo-yeon Karlsson | skarlsson@stanford.edu PGP Key fingerprint: 4E7C 7894 4C74 48B0 "Keep the channels open." From dtanaka@berkeley.edu Wed Sep 27 03:43:24 1995 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!berkeley!dtanaka From: dtanaka@berkeley.edu (Diego Tanaka) Newsgroups: alt.fan.nova-hart Subject: Re: [SPECULATION] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Sep27.034324.8469@berkeley.edu> Date: Wed, 27 Sep 1995 03:43:24 GMT References: <1995Sep25.091324.1700@purdue.edu> Organization: UC Berkeley Department of EECS NNTP-Posting-Host: berkeley.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 10 In article <1995Sep25.091324.1700@purdue.edu>, akowalski@purdue.edu (Anja Kowalski) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? > The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers. Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- Diego Tanaka *PLONK* filter active for trolls. Decstation 5000/200 - NetBSD 1.0 From oivanov@uu.net Fri Sep 29 02:11:24 1995 Path: ashpoly!cascade!mxgate!coyoacan!uu!oivanov From: oivanov@uu.net (Olga Ivanov) Newsgroups: alt.fan.nova-hart Subject: Re: [SPECULATION] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Sep29.021124.4683@uu.net> Date: Fri, 29 Sep 1995 02:11:24 GMT References: <1995Sep25.091324.1700@purdue.edu> Organization: UUNET Technologies, Falls Church VA NNTP-Posting-Host: uu.net X-Newsreader: NewsWatcher 2.0b24 Lines: 10 In article <1995Sep25.091324.1700@purdue.edu>, akowalski@purdue.edu (Anja Kowalski) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? > The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers. Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- === Olga Ivanov === Dept of Electrical Engineering, UUNET Technologies, Falls Church VA "Hardware is temporary. The signal survives." From bvasiliev@rwth-aachen.de Sun Oct 01 03:51:24 1995 Path: ashpoly!cascade!transat!sunet!nordrelay!rwth-aachen!bvasiliev From: bvasiliev@rwth-aachen.de (Bastien Vasiliev) Newsgroups: alt.fan.nova-hart Subject: Re: [SPECULATION] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Oct01.035124.1530@rwth-aachen.de> Date: Sun, 01 Oct 1995 03:51:24 GMT References: <1995Sep25.091324.1700@purdue.edu> <1995Sep26.175024.9816@stanford.edu> Organization: RWTH Aachen Informatik NNTP-Posting-Host: rwth-aachen.de X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1995Sep26.175024.9816@stanford.edu>, skarlsson@stanford.edu (Seo-yeon Karlsson) writes: > Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- === Bastien Vasiliev === Dept of Electrical Engineering, RWTH Aachen Informatik "Measuring a record you own is listening, not piracy."