From anovak@pacbell.net Wed Jun 19 15:11:51 1996
Path: ashpoly!cascade!transat!ukc!fennimore!pacbell!anovak
From: anovak@pacbell.net (Aiko Novak)
Newsgroups: alt.fan.nova-hart
Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Jun19.151151.3753@pacbell.net>
Date: Wed, 19 Jun 1996 15:11:51 GMT
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.
The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.

Did anyone ever see Luna Gray perform live, or was she exclusively a satellite playback act?

-- 
Aiko Novak -- Pacific Bell Internet Services
"There are 14 nodes and only 10 countries. Count again."

From hlopez@tum.de Thu Jun 20 10:39:51 1996
Path: ashpoly!bigsur!pacrim!krgate!eunha!tum!hlopez
From: hlopez@tum.de (Heather López)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Jun20.103951.6821@tum.de>
Date: Thu, 20 Jun 1996 10:39:51 GMT
References: <1996Jun19.151151.3753@pacbell.net>
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In article <1996Jun19.151151.3753@pacbell.net>, anovak@pacbell.net (Aiko Novak) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?
> The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.

Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

-- 
Heather López | hlopez@tum.de
PGP Key fingerprint: 5191 DAB3 4A48 FEBB
"Keep the channels open."