From bschneider@demon.co.uk Sun Nov 13 10:02:36 1994
Path: ashpoly!cascade!transat!ukc!fennimore!demon!bschneider
From: bschneider@demon.co.uk (Bill Schneider)
Newsgroups: alt.fan.nova-hart
Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Nov13.100236.1128@demon.co.uk>
Date: Sun, 13 Nov 1994 10:02:36 GMT
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.
The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.

Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.'

-- 
Bill Schneider
Opinions expressed are solely my own and not those of Demon Internet Services UK.
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From estewart@pacbell.net Tue Nov 15 01:41:36 1994
Path: ashpoly!cascade!transat!sunet!nordrelay!pacbell!estewart
From: estewart@pacbell.net (Emi Stewart)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Nov15.014136.5503@pacbell.net>
Date: Tue, 15 Nov 1994 01:41:36 GMT
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In article <1994Nov13.100236.1128@demon.co.uk>, bschneider@demon.co.uk (Bill Schneider) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?
> The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.

If Luna Gray was the copy, who was the original? Read the Akasaka Voice Print GEN-3 memo.

-- 
Emi Stewart
Opinions expressed are solely my own and not those of Pacific Bell Internet Services.
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From nnakamura@unam.mx Tue Nov 15 20:41:36 1994
Path: ashpoly!cascade!mxgate!coyoacan!unam!nnakamura
From: nnakamura@unam.mx (Nadine Nakamura)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Nov15.204136.1187@unam.mx>
Date: Tue, 15 Nov 1994 20:41:36 GMT
References: <1994Nov13.100236.1128@demon.co.uk> <1994Nov15.014136.5503@pacbell.net>
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In article <1994Nov15.014136.5503@pacbell.net>, estewart@pacbell.net (Emi Stewart) writes:
> If Luna Gray was the copy, who was the original? Read the Akasaka Voice Print GEN-3 memo.

A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model.

-- 
Nadine Nakamura
Opinions expressed are solely my own and not those of Universidad Nacional Autónoma de México (DGSCA).
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From fsokolov@earthlink.net Wed Nov 16 01:26:36 1994
Path: ashpoly!cascade!transat!eunet-de!hansebox!earthlink!fsokolov
From: fsokolov@earthlink.net (Fiona Sokolov)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Nov16.012636.8377@earthlink.net>
Date: Wed, 16 Nov 1994 01:26:36 GMT
References: <1994Nov13.100236.1128@demon.co.uk>
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In article <1994Nov13.100236.1128@demon.co.uk>, bschneider@demon.co.uk (Bill Schneider) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

-- 
Fiona Sokolov
Opinions expressed are solely my own and not those of EarthLink Network.
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