From bkang@u-tokyo.ac.jp Sun Apr 23 22:42:37 1995
Path: ashpoly!cascade!transat!sunet!nordrelay!u-tokyo!bkang
From: bkang@u-tokyo.ac.jp (Bruno Kang)
Newsgroups: alt.fan.nova-hart
Subject: [INFO] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Apr23.224237.2218@u-tokyo.ac.jp>
Date: Sun, 23 Apr 1995 22:42:37 GMT
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Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.

I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record.
The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.

It feels like listening to an artificial clone of someone you loved.

-- 
Bruno Kang -- University of Tokyo Department of Information Science
"A soul is not exclusive to biology."

From bmacdonald@mindspring.com Mon Apr 24 00:09:37 1995
Path: ashpoly!cascade!transat!ukc!fennimore!mindspring!bmacdonald
From: bmacdonald@mindspring.com (Bill MacDonald)
Newsgroups: alt.fan.nova-hart
Subject: Re: [INFO] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Apr24.000937.3108@mindspring.com>
Date: Mon, 24 Apr 1995 00:09:37 GMT
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In article <1995Apr23.224237.2218@u-tokyo.ac.jp>, bkang@u-tokyo.ac.jp (Bruno Kang) writes:
> Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.

Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

Unsubscribe me from this list! (Wait, this is Usenet, never mind).

-- 
Bill MacDonald | bmacdonald@mindspring.com
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"Keep the channels open."