From ksanchez@u-tokyo.ac.jp Sat Mar 12 23:51:50 1994 Path: ashpoly!bigsur!pacrim!krgate!eunha!u-tokyo!ksanchez From: ksanchez@u-tokyo.ac.jp (Katrin Sánchez) Newsgroups: alt.fan.nova-hart Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Mar12.235150.1606@u-tokyo.ac.jp> Date: Sat, 12 Mar 1994 23:51:50 GMT Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: NewsWatcher 2.0b24 Lines: 11 Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch. The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit. Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.' -- Katrin Sánchez "When every node is whole, the channel opens." Macintosh IIfx / FreeBSD 2.1 From jsilva@ox.ac.uk Sun Mar 13 20:00:50 1994 Path: ashpoly!cascade!transat!eunet-de!hansebox!ox!jsilva From: jsilva@ox.ac.uk (Jen Silva) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Mar13.200050.8652@ox.ac.uk> Date: Sun, 13 Mar 1994 20:00:50 GMT References: <1994Mar12.235150.1606@u-tokyo.ac.jp> Organization: Oxford University Computing Laboratory NNTP-Posting-Host: ox.ac.uk X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1994Mar12.235150.1606@u-tokyo.ac.jp>, ksanchez@u-tokyo.ac.jp (Katrin Sánchez) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? -- Jen Silva Opinions expressed are solely my own and not those of Oxford University Computing Laboratory. ------------------------------------------------------------ From awatanabe@mit.edu Mon Mar 14 10:20:50 1994 Path: ashpoly!cascade!bigsur!mit!awatanabe From: awatanabe@mit.edu (Anja Watanabe) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Mar14.102050.5041@mit.edu> Date: Mon, 14 Mar 1994 10:20:50 GMT References: <1994Mar12.235150.1606@u-tokyo.ac.jp> <1994Mar13.200050.8652@ox.ac.uk> Organization: Massachusetts Institute of Technology NNTP-Posting-Host: mit.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 10 In article <1994Mar13.200050.8652@ox.ac.uk>, jsilva@ox.ac.uk (Jen Silva) writes: > Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. Please keep replies in this group, crossposting without Followup-To is poor netiquette. -- Anja Watanabe Tape trading list upon request. SASE required for international mail. From sduarte@u-tokyo.ac.jp Tue Mar 15 17:34:50 1994 Path: ashpoly!cascade!bigsur!u-tokyo!sduarte From: sduarte@u-tokyo.ac.jp (Sven Duarte) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Mar15.173450.9923@u-tokyo.ac.jp> Date: Tue, 15 Mar 1994 17:34:50 GMT References: <1994Mar12.235150.1606@u-tokyo.ac.jp> <1994Mar13.200050.8652@ox.ac.uk> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1994Mar13.200050.8652@ox.ac.uk>, jsilva@ox.ac.uk (Jen Silva) writes: > Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow. -- Sven Duarte "A soul is not exclusive to biology." Macintosh IIfx / SunOS 4.1.4