From nlaurent@stanford.edu Wed Aug 28 08:07:14 1996
Path: ashpoly!cascade!transat!eunet-de!hansebox!stanford!nlaurent
From: nlaurent@stanford.edu (Nadine Laurent)
Newsgroups: alt.fan.nova-hart
Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Aug28.080714.4194@stanford.edu>
Date: Wed, 28 Aug 1996 08:07:14 GMT
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Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.

The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.
The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.

Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.'

-- 
Nadine Laurent -- Stanford University Computer Systems Lab
"Marcus is not one man."

From tnovak@tum.de Wed Aug 28 10:30:14 1996
Path: ashpoly!cascade!transat!ukc!fennimore!tum!tnovak
From: tnovak@tum.de (Takeshi Novak)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Aug28.103014.5268@tum.de>
Date: Wed, 28 Aug 1996 10:30:14 GMT
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In article <1996Aug28.080714.4194@stanford.edu>, nlaurent@stanford.edu (Nadine Laurent) writes:
> Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.

Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

Unsubscribe me from this list! (Wait, this is Usenet, never mind).

-- 
=== Takeshi Novak ===
Dept of Electrical Engineering, Technische Universität München
"Extraordinary claims require extraordinary spectra."

From ssmirnov@stanford.edu Fri Aug 30 00:25:14 1996
Path: ashpoly!cascade!transat!sunet!nordrelay!stanford!ssmirnov
From: ssmirnov@stanford.edu (Sun-mi Smirnov)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Aug30.002514.6866@stanford.edu>
Date: Fri, 30 Aug 1996 00:25:14 GMT
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In article <1996Aug28.103014.5268@tum.de>, tnovak@tum.de (Takeshi Novak) writes:
> Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

Orion was just trying to capitalize on Nova's sound with a replacement singer after their contract dispute.

Unsubscribe me from this list! (Wait, this is Usenet, never mind).

-- 
Sun-mi Smirnov -- Stanford University Computer Systems Lab
"Row 14. No joke."

From ksanchez@illinois.edu Fri Aug 30 04:33:14 1996
Path: ashpoly!cascade!transat!ukc!fennimore!illinois!ksanchez
From: ksanchez@illinois.edu (Kenji Sánchez)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Aug30.043314.9259@illinois.edu>
Date: Fri, 30 Aug 1996 04:33:14 GMT
References: <1996Aug28.080714.4194@stanford.edu> <1996Aug28.103014.5268@tum.de>
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In article <1996Aug28.103014.5268@tum.de>, tnovak@tum.de (Takeshi Novak) writes:
> Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow.

-- 
Kenji Sánchez -- University of Illinois Urbana-Champaign
"The carrier frequency does not drift by accident."