From mramirez@pipeline.com Sun Apr 02 03:43:58 1995 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!pipeline!mramirez From: mramirez@pipeline.com (Morag Ramírez) Newsgroups: alt.fan.nova-hart Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Apr02.034358.3052@pipeline.com> Date: Sun, 02 Apr 1995 03:43:58 GMT Organization: The Pipeline Internet Network NNTP-Posting-Host: pipeline.com X-Newsreader: TIN [version 1.2 PL2] Lines: 11 Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit. It feels like listening to an artificial clone of someone you loved. -- Morag Ramírez "Measuring a record you own is listening, not piracy." 486DX2/66 (Linux 1.2.13) / SunOS 4.1.4 From mlindqvist@mit.edu Mon Apr 03 23:24:58 1995 Path: ashpoly!cascade!mxgate!coyoacan!mit!mlindqvist From: mlindqvist@mit.edu (Marisol Lindqvist) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Apr03.232458.6812@mit.edu> Date: Mon, 03 Apr 1995 23:24:58 GMT References: <1995Apr02.034358.3052@pipeline.com> Organization: Massachusetts Institute of Technology NNTP-Posting-Host: mit.edu X-Newsreader: Netscape 1.1N Lines: 10 In article <1995Apr02.034358.3052@pipeline.com>, mramirez@pipeline.com (Morag Ramírez) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? > I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. -- Marisol Lindqvist SupraFAXModem 28.8 @ 28,800 bps "Marcus is not one man."