From asouza@uni-hamburg.de Tue Jun 20 17:30:46 1995
Path: ashpoly!bigsur!pacrim!krgate!eunha!uni-hamburg!asouza
From: asouza@uni-hamburg.de (Andrei Souza)
Newsgroups: alt.fan.nova-hart
Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Jun20.173046.7621@uni-hamburg.de>
Date: Tue, 20 Jun 1995 17:30:46 GMT
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record.
The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.

Did anyone ever see Luna Gray perform live, or was she exclusively a satellite playback act?

-- 
Andrei Souza
Opinions expressed are solely my own and not those of Universität Hamburg Fachbereich Informatik.
------------------------------------------------------------

From mlaurent@pipeline.com Thu Jun 22 02:38:46 1995
Path: ashpoly!cascade!transat!ukc!fennimore!pipeline!mlaurent
From: mlaurent@pipeline.com (Mikhail Laurent)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Jun22.023846.2453@pipeline.com>
Date: Thu, 22 Jun 1995 02:38:46 GMT
References: <1995Jun20.173046.7621@uni-hamburg.de>
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In article <1995Jun20.173046.7621@uni-hamburg.de>, asouza@uni-hamburg.de (Andrei Souza) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel.

Send a 90-minute Type II CrO2 cassette with SASE to my university address for dubs.

-- 
Mikhail Laurent
Tape trading list upon request. SASE required for international mail.

From bkuznetsov@uni-hamburg.de Fri Jun 23 07:15:46 1995
Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!uni-hamburg!bkuznetsov
From: bkuznetsov@uni-hamburg.de (Bruno Kuznetsov)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Jun23.071546.8487@uni-hamburg.de>
Date: Fri, 23 Jun 1995 07:15:46 GMT
References: <1995Jun20.173046.7621@uni-hamburg.de>
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In article <1995Jun20.173046.7621@uni-hamburg.de>, asouza@uni-hamburg.de (Andrei Souza) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

Orion was just trying to capitalize on Nova's sound with a replacement singer after their contract dispute.

-- 
Bruno Kuznetsov | bkuznetsov@uni-hamburg.de
PGP Key fingerprint: CE84 00B2 BCB1 F0F5
"Keep the channels open."

From alaurent@netcom.com Fri Jun 23 23:42:46 1995
Path: ashpoly!cascade!bigsur!netcom!alaurent
From: alaurent@netcom.com (Anton Laurent)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Jun23.234246.1206@netcom.com>
Date: Fri, 23 Jun 1995 23:42:46 GMT
References: <1995Jun20.173046.7621@uni-hamburg.de>
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In article <1995Jun20.173046.7621@uni-hamburg.de>, asouza@uni-hamburg.de (Andrei Souza) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?
> I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record.

I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow.

Send a 90-minute Type II CrO2 cassette with SASE to my university address for dubs.

-- 
Anton Laurent | alaurent@netcom.com
PGP Key fingerprint: 378A 2C96 B6E5 FBED
"Keep the channels open."