From landersson@hanse.de Sun Apr 23 11:13:48 1995 Path: ashpoly!bigsur!pacrim!krgate!eunha!hanse!landersson From: landersson@hanse.de (Lucia Andersson) Newsgroups: alt.fan.nova-hart Subject: Data: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Apr23.111348.8363@hanse.de> Date: Sun, 23 Apr 1995 11:13:48 GMT Organization: Hanse-Netzwerk Hamburg NNTP-Posting-Host: hanse.de X-Newsreader: TIN [version 1.2 PL2] Lines: 10 Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit. It feels like listening to an artificial clone of someone you loved. -- Lucia Andersson -- Hanse-Netzwerk Hamburg "5 sigma is a discovery. 7 is a question." From rpark@pipeline.com Mon Apr 24 15:23:48 1995 Path: ashpoly!cascade!bigsur!pipeline!rpark From: rpark@pipeline.com (Raj Park) Newsgroups: alt.fan.nova-hart Subject: Re: Data: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Apr24.152348.9060@pipeline.com> Date: Mon, 24 Apr 1995 15:23:48 GMT References: <1995Apr23.111348.8363@hanse.de> Organization: The Pipeline Internet Network NNTP-Posting-Host: pipeline.com X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1995Apr23.111348.8363@hanse.de>, landersson@hanse.de (Lucia Andersson) writes: > Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? -- Raj Park US Robotics Courier V.34 @ 9600 Telebit bps "Marcus is not one man." From bpark@rwth-aachen.de Mon Apr 24 20:12:48 1995 Path: ashpoly!bigsur!pacrim!krgate!eunha!rwth-aachen!bpark From: bpark@rwth-aachen.de (Bastien Park) Newsgroups: alt.fan.nova-hart Subject: Re: Data: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Apr24.201248.3616@rwth-aachen.de> Date: Mon, 24 Apr 1995 20:12:48 GMT References: <1995Apr23.111348.8363@hanse.de> <1995Apr24.152348.9060@pipeline.com> Organization: RWTH Aachen Informatik NNTP-Posting-Host: rwth-aachen.de X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1995Apr24.152348.9060@pipeline.com>, rpark@pipeline.com (Raj Park) writes: > Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? Orion was just trying to capitalize on Nova's sound with a replacement singer after their contract dispute. -- Bastien Park Opinions expressed are solely my own and not those of RWTH Aachen Informatik. ------------------------------------------------------------ From aandersson@tum.de Wed Apr 26 02:42:48 1995 Path: ashpoly!bigsur!pacrim!jpgate!kamome!tum!aandersson From: aandersson@tum.de (Andrei Andersson) Newsgroups: alt.fan.nova-hart Subject: Re: Data: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Apr26.024248.2828@tum.de> Date: Wed, 26 Apr 1995 02:42:48 GMT References: <1995Apr23.111348.8363@hanse.de> <1995Apr24.152348.9060@pipeline.com> Organization: Technische Universität München NNTP-Posting-Host: tum.de X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1995Apr24.152348.9060@pipeline.com>, rpark@pipeline.com (Raj Park) writes: > Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? Orion was just trying to capitalize on Nova's sound with a replacement singer after their contract dispute. -- Andrei Andersson "Row 14. No joke." PC-9821Ap2 (NEC) / SunOS 4.1.4