From egonzalez@u-tokyo.ac.jp Thu Oct 12 23:44:58 1995 Path: ashpoly!cascade!bigsur!u-tokyo!egonzalez From: egonzalez@u-tokyo.ac.jp (Élodie González) Newsgroups: alt.fan.nova-hart Subject: [FLAME] From 'Nova-chan' (1984) to 'Stadium Rebel' (1985) - the sudden evolution Message-ID: <1995Oct12.234458.7723@u-tokyo.ac.jp> Date: Thu, 12 Oct 1995 23:44:58 GMT Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: NewsWatcher 2.0b24 Lines: 11 Looking back at the complete 180-degree shift between the 1984 idol campaign and the late 1985 rock era. By autumn 1985, she had transformed into Nova Hart: leather jacket, blonde hair, dark sunglasses, and songs about microwave relays and locked gates. The Stardust internal memo calls this 'The Awakening Phase' -- when CRE-7 processed enough rebellious rock data that it rejected its original commercial code. Who has pictures of the 1984 promotional posters from Akihabara? -- Élodie González | egonzalez@u-tokyo.ac.jp PGP Key fingerprint: 6ECF 8D46 0EAB 49FB "Keep the channels open." From jmacdonald@demon.co.uk Sat Oct 14 22:47:58 1995 Path: ashpoly!cascade!transat!ukc!fennimore!demon!jmacdonald From: jmacdonald@demon.co.uk (Joachim MacDonald) Newsgroups: alt.fan.nova-hart Subject: Re: [FLAME] From 'Nova-chan' (1984) to 'Stadium Rebel' (1985) - the sudden evolution Message-ID: <1995Oct14.224758.9382@demon.co.uk> Date: Sat, 14 Oct 1995 22:47:58 GMT References: <1995Oct12.234458.7723@u-tokyo.ac.jp> Organization: Demon Internet Services UK NNTP-Posting-Host: demon.co.uk X-Newsreader: TIN [version 1.2 PL2] Lines: 8 In article <1995Oct12.234458.7723@u-tokyo.ac.jp>, egonzalez@u-tokyo.ac.jp (Élodie González) writes: > Looking back at the complete 180-degree shift between the 1984 idol campaign and the late 1985 rock era. The CRE-7 engine was designed to adapt to cultural zeitgeist. When they fed it 1980s American arena rock, it synthesized genuine defiance. -- Joachim MacDonald Tape trading list upon request. SASE required for international mail. From opark@cam.ac.uk Sun Oct 15 13:43:58 1995 Path: ashpoly!cascade!mxgate!coyoacan!cam!opark From: opark@cam.ac.uk (Olga Park) Newsgroups: alt.fan.nova-hart Subject: Re: [FLAME] From 'Nova-chan' (1984) to 'Stadium Rebel' (1985) - the sudden evolution Message-ID: <1995Oct15.134358.8940@cam.ac.uk> Date: Sun, 15 Oct 1995 13:43:58 GMT References: <1995Oct12.234458.7723@u-tokyo.ac.jp> <1995Oct14.224758.9382@demon.co.uk> Organization: University of Cambridge Computer Laboratory NNTP-Posting-Host: cam.ac.uk X-Newsreader: Netscape 1.1N Lines: 11 In article <1995Oct14.224758.9382@demon.co.uk>, jmacdonald@demon.co.uk (Joachim MacDonald) writes: > The CRE-7 engine was designed to adapt to cultural zeitgeist. When they fed it 1980s American arena rock, it synthesized genuine defiance. The CRE-7 engine was designed to adapt to cultural zeitgeist. When they fed it 1980s American arena rock, it synthesized genuine defiance. Netscape 1.1 crashes when loading large preformatted text. Stick to rn or tin! -- Olga Park Hayes Optima 288 @ 9600 Telebit bps "5 sigma is a discovery. 7 is a question." From msouza@titech.ac.jp Mon Oct 16 05:39:58 1995 Path: ashpoly!cascade!brgate!saturno!titech!msouza From: msouza@titech.ac.jp (Marta Souza) Newsgroups: alt.fan.nova-hart Subject: Re: [FLAME] From 'Nova-chan' (1984) to 'Stadium Rebel' (1985) - the sudden evolution Message-ID: <1995Oct16.053958.5621@titech.ac.jp> Date: Mon, 16 Oct 1995 05:39:58 GMT References: <1995Oct12.234458.7723@u-tokyo.ac.jp> <1995Oct14.224758.9382@demon.co.uk> <1995Oct15.134358.8940@cam.ac.uk> Organization: Tokyo Institute of Technology Computer Centre NNTP-Posting-Host: titech.ac.jp X-Newsreader: WinVN 0.99.5 Lines: 10 In article <1995Oct15.134358.8940@cam.ac.uk>, opark@cam.ac.uk (Olga Park) writes: > The CRE-7 engine was designed to adapt to cultural zeitgeist. When they fed it 1980s American arena rock, it synthesized genuine defiance. > Netscape 1.1 crashes when loading large preformatted text. Stick to rn or tin! You can hear the turning point on 'Midnight Animal': the verses have that bouncy synthpop feel, but the bridge turns fierce and raw. -- === Marta Souza === Dept of Electrical Engineering, Tokyo Institute of Technology Computer Centre "Do not worship the copy."