From kvasiliev@hanse.de Thu Feb 23 22:56:38 1995
Path: ashpoly!cascade!transat!sunet!nordrelay!hanse!kvasiliev
From: kvasiliev@hanse.de (Kenji Vasiliev)
Newsgroups: alt.fan.nova-hart
Subject: Observation: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Feb23.225638.8449@hanse.de>
Date: Thu, 23 Feb 1995 22:56:38 GMT
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Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.

I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record.
The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.

Did anyone ever see Luna Gray perform live, or was she exclusively a satellite playback act?

-- 
=== Kenji Vasiliev ===
Dept of Electrical Engineering, Hanse-Netzwerk Hamburg
"The carrier frequency does not drift by accident."

From lsuzuki@rwth-aachen.de Fri Feb 24 10:39:38 1995
Path: ashpoly!bigsur!pacrim!krgate!eunha!rwth-aachen!lsuzuki
From: lsuzuki@rwth-aachen.de (Lucia Suzuki)
Newsgroups: alt.fan.nova-hart
Subject: Re: Observation: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Feb24.103938.1167@rwth-aachen.de>
Date: Fri, 24 Feb 1995 10:39:38 GMT
References: <1995Feb23.225638.8449@hanse.de>
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In article <1995Feb23.225638.8449@hanse.de>, kvasiliev@hanse.de (Kenji Vasiliev) writes:
> Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.
> I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record.

Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

Unsubscribe me from this list! (Wait, this is Usenet, never mind).

-- 
=== Lucia Suzuki ===
Dept of Electrical Engineering, RWTH Aachen Informatik
"Do not worship the copy."

From schoi@titech.ac.jp Sat Feb 25 11:15:38 1995
Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!titech!schoi
From: schoi@titech.ac.jp (Sven Choi)
Newsgroups: alt.fan.nova-hart
Subject: Re: Observation: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Feb25.111538.8882@titech.ac.jp>
Date: Sat, 25 Feb 1995 11:15:38 GMT
References: <1995Feb23.225638.8449@hanse.de> <1995Feb24.103938.1167@rwth-aachen.de>
Organization: Tokyo Institute of Technology Computer Centre
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In article <1995Feb24.103938.1167@rwth-aachen.de>, lsuzuki@rwth-aachen.de (Lucia Suzuki) writes:
> Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?
> Unsubscribe me from this list! (Wait, this is Usenet, never mind).

Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

PGP Public key available via finger or upon request.

-- 
Sven Choi
Tape trading list upon request. SASE required for international mail.