From nlopez@purdue.edu Fri Mar 11 09:35:29 1994 Path: ashpoly!cascade!transat!sunet!nordrelay!purdue!nlopez From: nlopez@purdue.edu (Natalia López) Newsgroups: alt.fan.nova-hart Subject: Observation: From 'Nova-chan' (1984) to 'Stadium Rebel' (1985) - the sudden evolution Message-ID: <1994Mar11.093529.8566@purdue.edu> Date: Fri, 11 Mar 1994 09:35:29 GMT Organization: Purdue University Engineering Computer Network NNTP-Posting-Host: purdue.edu X-Newsreader: Netscape 1.1N Lines: 11 How did Orion go from marketing a smiling soda-commercial idol to a dark, brooding arena rock icon in 12 months? In spring 1984, she was 'Nova-chan' -- singing sunny Pop-Rock jingles for Tokyo soft drinks with bright pink fonts. Her Japanese fans were stunned. Record shops in Shibuya didn't know whether to shelve SYNTHESIS under Western Rock or Idol Pop. Was this evolution planned by Orion's marketing department, or did the neural model genuinely evolve beyond their control? -- Natalia López | nlopez@purdue.edu PGP Key fingerprint: 3A9E 46EF 456F F8EB "Keep the channels open." From amartinez@illinois.edu Sun Mar 13 07:22:29 1994 Path: ashpoly!bigsur!pacrim!krgate!eunha!illinois!amartinez From: amartinez@illinois.edu (Anton Martínez) Newsgroups: alt.fan.nova-hart Subject: Re: Observation: From 'Nova-chan' (1984) to 'Stadium Rebel' (1985) - the sudden evolution Message-ID: <1994Mar13.072229.3496@illinois.edu> Date: Sun, 13 Mar 1994 07:22:29 GMT References: <1994Mar11.093529.8566@purdue.edu> Organization: University of Illinois Urbana-Champaign NNTP-Posting-Host: illinois.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994Mar11.093529.8566@purdue.edu>, nlopez@purdue.edu (Natalia López) writes: > How did Orion go from marketing a smiling soda-commercial idol to a dark, brooding arena rock icon in 12 months? > In spring 1984, she was 'Nova-chan' -- singing sunny Pop-Rock jingles for Tokyo soft drinks with bright pink fonts. The Backstory Dataset gave her a fake past in European clubs, but she took those memories and made them real. -- Anton Martínez -- University of Illinois Urbana-Champaign "Measuring a record you own is listening, not piracy."