From nnakamura@unam.mx Sun Feb 25 21:36:59 1996 Path: ashpoly!cascade!brgate!saturno!unam!nnakamura From: nnakamura@unam.mx (Natalia Nakamura) Newsgroups: alt.fan.nova-hart Subject: Question: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Feb25.213659.8383@unam.mx> Date: Sun, 25 Feb 1996 21:36:59 GMT Organization: Universidad Nacional Autónoma de México (DGSCA) NNTP-Posting-Host: unam.mx X-Newsreader: TIN [version 1.2 PL2] Lines: 11 Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch. Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.' -- Natalia Nakamura Opinions expressed are solely my own and not those of Universidad Nacional Autónoma de México (DGSCA). ------------------------------------------------------------ From bmoreau@ox.ac.uk Mon Feb 26 14:31:59 1996 Path: ashpoly!cascade!transat!ukc!fennimore!ox!bmoreau From: bmoreau@ox.ac.uk (Bruno Moreau) Newsgroups: alt.fan.nova-hart Subject: Re: Question: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Feb26.143159.5824@ox.ac.uk> Date: Mon, 26 Feb 1996 14:31:59 GMT References: <1996Feb25.213659.8383@unam.mx> Organization: Oxford University Computing Laboratory NNTP-Posting-Host: ox.ac.uk X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1996Feb25.213659.8383@unam.mx>, nnakamura@unam.mx (Natalia Nakamura) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- === Bruno Moreau === Dept of Electrical Engineering, Oxford University Computing Laboratory "They will send a copy in my place." From srobertson@panix.com Tue Feb 27 14:55:59 1996 Path: ashpoly!cascade!transat!ukc!fennimore!panix!srobertson From: srobertson@panix.com (Sergei Robertson) Newsgroups: alt.fan.nova-hart Subject: Re: Question: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Feb27.145559.3790@panix.com> Date: Tue, 27 Feb 1996 14:55:59 GMT References: <1996Feb25.213659.8383@unam.mx> <1996Feb26.143159.5824@ox.ac.uk> Organization: Public Access Unix of New York NNTP-Posting-Host: panix.com X-Newsreader: Netscape 1.1N Lines: 9 In article <1996Feb26.143159.5824@ox.ac.uk>, bmoreau@ox.ac.uk (Bruno Moreau) writes: > Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. -- Sergei Robertson "Measuring a record you own is listening, not piracy." Atari TT030 / AmigaOS 3.1 From feriksson@kiae.su Wed Feb 28 14:55:59 1996 Path: ashpoly!cascade!transat!sunet!nordrelay!kiae!feriksson From: feriksson@kiae.su (Freya Eriksson) Newsgroups: alt.fan.nova-hart Subject: Re: Question: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Feb28.145559.3027@kiae.su> Date: Wed, 28 Feb 1996 14:55:59 GMT References: <1996Feb25.213659.8383@unam.mx> <1996Feb26.143159.5824@ox.ac.uk> Organization: Kurchatov Institute of Atomic Energy, Moscow NNTP-Posting-Host: kiae.su X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1996Feb26.143159.5824@ox.ac.uk>, bmoreau@ox.ac.uk (Bruno Moreau) writes: > Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- Freya Eriksson Zyxel U-1496E @ 9600 Telebit bps "Marcus is not one man."