From tmuller@delphi.com Thu Nov 09 12:22:40 1995 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!delphi!tmuller From: tmuller@delphi.com (Takeshi Müller) Newsgroups: alt.fan.nova-hart Subject: [SPECULATION] Live-Fidelity Broadcasts under the Public Harmony Acts - personal memories Message-ID: <1995Nov09.122240.5347@delphi.com> Date: Thu, 09 Nov 1995 12:22:40 GMT Organization: Delphi Internet Services NNTP-Posting-Host: delphi.com X-Newsreader: WinVN 0.99.5 Lines: 11 Did anyone else here grow up having their only concert experiences delivered through a cathode ray tube? You could hear the simulated crowd chant 'NOVA! NOVA!' between songs, but her eyes were always looking slightly past the lens. We thought we were watching a live concert in a distant stadium. We had no idea the crowd roar was a synthesizer loop. What kind of television or audio receiver did you watch her broadcasts on back in 1986? -- Takeshi Müller SupraFAXModem 28.8 @ 14,400 bps "Tape doesn't lie at 02:14. Ears do." From bsouza@hanse.de Fri Nov 10 22:24:40 1995 Path: ashpoly!cascade!brgate!saturno!hanse!bsouza From: bsouza@hanse.de (Brian Souza) Newsgroups: alt.fan.nova-hart Subject: Re: [SPECULATION] Live-Fidelity Broadcasts under the Public Harmony Acts - personal memories Message-ID: <1995Nov10.222440.7230@hanse.de> Date: Fri, 10 Nov 1995 22:24:40 GMT References: <1995Nov09.122240.5347@delphi.com> Organization: Hanse-Netzwerk Hamburg NNTP-Posting-Host: hanse.de X-Newsreader: NewsWatcher 2.0b24 Lines: 10 In article <1995Nov09.122240.5347@delphi.com>, tmuller@delphi.com (Takeshi Müller) writes: > Did anyone else here grow up having their only concert experiences delivered through a cathode ray tube? > You could hear the simulated crowd chant 'NOVA! NOVA!' between songs, but her eyes were always looking slightly past the lens. Let's not romanticize government bans on live music. It was censorship and corporate control, plain and simple. -- === Brian Souza === Dept of Electrical Engineering, Hanse-Netzwerk Hamburg "Row 14. No joke." From nwatanabe@u-tokyo.ac.jp Sat Nov 11 11:07:40 1995 Path: ashpoly!cascade!transat!eunet-fr!teletel!u-tokyo!nwatanabe From: nwatanabe@u-tokyo.ac.jp (Nadia Watanabe) Newsgroups: alt.fan.nova-hart Subject: Re: [SPECULATION] Live-Fidelity Broadcasts under the Public Harmony Acts - personal memories Message-ID: <1995Nov11.110740.5802@u-tokyo.ac.jp> Date: Sat, 11 Nov 1995 11:07:40 GMT References: <1995Nov09.122240.5347@delphi.com> <1995Nov10.222440.7230@hanse.de> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: Netscape 1.1N Lines: 11 In article <1995Nov10.222440.7230@hanse.de>, bsouza@hanse.de (Brian Souza) writes: > Let's not romanticize government bans on live music. It was censorship and corporate control, plain and simple. The Public Harmony Acts created the exact corporate monopoly Orion needed. No touring costs, zero physical risk. Send a 90-minute Type II CrO2 cassette with SASE to my university address for dubs. -- Nadia Watanabe Practical Peripherals 14.4 @ 9600 Telebit bps "In theory there is no difference between theory and practice."