From tbrennan@inria.fr Mon Apr 10 15:45:40 1995
Path: ashpoly!cascade!transat!ukc!fennimore!inria!tbrennan
From: tbrennan@inria.fr (Thiago Brennan)
Newsgroups: alt.fan.nova-hart
Subject: Observation: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Apr10.154540.5451@inria.fr>
Date: Mon, 10 Apr 1995 15:45:40 GMT
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.
The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.

It feels like listening to an artificial clone of someone you loved.

-- 
Thiago Brennan
Tape trading list upon request. SASE required for international mail.

From nsantos@hanse.de Wed Apr 12 01:20:40 1995
Path: ashpoly!cascade!mxgate!coyoacan!hanse!nsantos
From: nsantos@hanse.de (Nadia Santos)
Newsgroups: alt.fan.nova-hart
Subject: Re: Observation: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Apr12.012040.9557@hanse.de>
Date: Wed, 12 Apr 1995 01:20:40 GMT
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In article <1995Apr10.154540.5451@inria.fr>, tbrennan@inria.fr (Thiago Brennan) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow.

-- 
Nadia Santos -- Hanse-Netzwerk Hamburg
"Tape doesn't lie at 02:14. Ears do."