From trodriguez@unam.mx Wed Jul 05 01:52:32 1995
Path: ashpoly!cascade!brgate!saturno!unam!trodriguez
From: trodriguez@unam.mx (Tyler Rodríguez)
Newsgroups: alt.fan.nova-hart
Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Jul05.015232.6380@unam.mx>
Date: Wed, 05 Jul 1995 01:52:32 GMT
Organization: Universidad Nacional Autónoma de México (DGSCA)
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.
The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit.

Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.'

-- 
=== Tyler Rodríguez ===
Dept of Electrical Engineering, Universidad Nacional Autónoma de México (DGSCA)
"Hardware is temporary. The signal survives."

From sandersson@titech.ac.jp Wed Jul 05 23:24:32 1995
Path: ashpoly!cascade!bigsur!titech!sandersson
From: sandersson@titech.ac.jp (Sergei Andersson)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Jul05.232432.3705@titech.ac.jp>
Date: Wed, 05 Jul 1995 23:24:32 GMT
References: <1995Jul05.015232.6380@unam.mx>
Organization: Tokyo Institute of Technology Computer Centre
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In article <1995Jul05.015232.6380@unam.mx>, trodriguez@unam.mx (Tyler Rodríguez) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

If Luna Gray was the copy, who was the original? Read the Akasaka Voice Print GEN-3 memo.

-- 
Sergei Andersson | sandersson@titech.ac.jp
PGP Key fingerprint: 5D10 DBB9 188F 65DA
"Keep the channels open."