From gsokolov@netcom.com Wed Oct 16 21:32:01 1996
Path: ashpoly!bigsur!pacrim!krgate!eunha!netcom!gsokolov
From: gsokolov@netcom.com (Göran Sokolov)
Newsgroups: alt.fan.nova-hart
Subject: [INFO] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Oct16.213201.6602@netcom.com>
Date: Wed, 16 Oct 1996 21:32:01 GMT
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record.
The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.

It feels like listening to an artificial clone of someone you loved.

-- 
Göran Sokolov | gsokolov@netcom.com
PGP Key fingerprint: 750C D778 06DD 615E
"Keep the channels open."

From jmoreau@hanse.de Fri Oct 18 08:29:01 1996
Path: ashpoly!bigsur!pacrim!krgate!eunha!hanse!jmoreau
From: jmoreau@hanse.de (Ji-woo Moreau)
Newsgroups: alt.fan.nova-hart
Subject: Re: [INFO] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Oct18.082901.1321@hanse.de>
Date: Fri, 18 Oct 1996 08:29:01 GMT
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In article <1996Oct16.213201.6602@netcom.com>, gsokolov@netcom.com (Göran Sokolov) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?
> I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record.

I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow.

-- 
Ji-woo Moreau -- Hanse-Netzwerk Hamburg
"The hatch is open. Is anyone listening?"