From jsanchez@rwth-aachen.de Wed Mar 13 08:17:40 1996 Path: ashpoly!cascade!transat!ukc!fennimore!rwth-aachen!jsanchez From: jsanchez@rwth-aachen.de (Jen Sánchez) Newsgroups: alt.fan.nova-hart Subject: Discussion: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Mar13.081740.1138@rwth-aachen.de> Date: Wed, 13 Mar 1996 08:17:40 GMT Organization: RWTH Aachen Informatik NNTP-Posting-Host: rwth-aachen.de X-Newsreader: NewsWatcher 2.0b24 Lines: 11 Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch. Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.' -- Jen Sánchez Opinions expressed are solely my own and not those of RWTH Aachen Informatik. ------------------------------------------------------------ From mnilsson@rwth-aachen.de Wed Mar 13 21:32:40 1996 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!rwth-aachen!mnilsson From: mnilsson@rwth-aachen.de (Marisol Nilsson) Newsgroups: alt.fan.nova-hart Subject: Re: Discussion: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Mar13.213240.6359@rwth-aachen.de> Date: Wed, 13 Mar 1996 21:32:40 GMT References: <1996Mar13.081740.1138@rwth-aachen.de> Organization: RWTH Aachen Informatik NNTP-Posting-Host: rwth-aachen.de X-Newsreader: TIN [version 1.2 PL2] Lines: 12 In article <1996Mar13.081740.1138@rwth-aachen.de>, jsanchez@rwth-aachen.de (Jen Sánchez) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? > I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. Please keep replies in this group, crossposting without Followup-To is poor netiquette. -- Marisol Nilsson "When every node is whole, the channel opens." Pentium 90 (OS/2 Warp) / NEXTSTEP 3.3 From jtakahashi@netcom.com Thu Mar 14 21:41:40 1996 Path: ashpoly!cascade!transat!ukc!fennimore!netcom!jtakahashi From: jtakahashi@netcom.com (Jen Takahashi) Newsgroups: alt.fan.nova-hart Subject: Re: Discussion: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Mar14.214140.9876@netcom.com> Date: Thu, 14 Mar 1996 21:41:40 GMT References: <1996Mar13.081740.1138@rwth-aachen.de> Organization: NETCOM On-Line Communication Services NNTP-Posting-Host: netcom.com X-Newsreader: WinVN 0.99.5 Lines: 10 In article <1996Mar13.081740.1138@rwth-aachen.de>, jsanchez@rwth-aachen.de (Jen Sánchez) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? > I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- Jen Takahashi | jtakahashi@netcom.com PGP Key fingerprint: E8A5 CF50 DFD4 EA1E "Keep the channels open." From ahughes@panix.com Thu Mar 14 23:09:40 1996 Path: ashpoly!cascade!brgate!saturno!panix!ahughes From: ahughes@panix.com (Anton Hughes) Newsgroups: alt.fan.nova-hart Subject: Re: Discussion: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Mar14.230940.2355@panix.com> Date: Thu, 14 Mar 1996 23:09:40 GMT References: <1996Mar13.081740.1138@rwth-aachen.de> <1996Mar14.214140.9876@netcom.com> Organization: Public Access Unix of New York NNTP-Posting-Host: panix.com X-Newsreader: WinVN 0.99.5 Lines: 9 In article <1996Mar14.214140.9876@netcom.com>, jtakahashi@netcom.com (Jen Takahashi) writes: > Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- Anton Hughes *PLONK* filter active for trolls. Macintosh IIfx - NetBSD 1.0 From dsanchez@pipeline.com Sat Mar 16 18:16:40 1996 Path: ashpoly!cascade!brgate!saturno!pipeline!dsanchez From: dsanchez@pipeline.com (Dong-hyun Sánchez) Newsgroups: alt.fan.nova-hart Subject: Re: Discussion: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Mar16.181640.1016@pipeline.com> Date: Sat, 16 Mar 1996 18:16:40 GMT References: <1996Mar13.081740.1138@rwth-aachen.de> <1996Mar14.214140.9876@netcom.com> Organization: The Pipeline Internet Network NNTP-Posting-Host: pipeline.com X-Newsreader: Netscape 1.1N Lines: 9 In article <1996Mar14.214140.9876@netcom.com>, jtakahashi@netcom.com (Jen Takahashi) writes: > Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. The album vanished from record stores within 6 months. Orion deleted the entire catalogue in late 1990. -- Dong-hyun Sánchez Practical Peripherals 14.4 @ ISDN 64k bps "Measuring a record you own is listening, not piracy."