From ncampbell@uni-hamburg.de Sat Nov 02 01:05:41 1996 Path: ashpoly!cascade!transat!ukc!fennimore!uni-hamburg!ncampbell From: ncampbell@uni-hamburg.de (Natalia Campbell) Newsgroups: alt.fan.nova-hart Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Nov02.010541.9414@uni-hamburg.de> Date: Sat, 02 Nov 1996 01:05:41 GMT Organization: Universität Hamburg Fachbereich Informatik NNTP-Posting-Host: uni-hamburg.de X-Newsreader: NewsWatcher 2.0b24 Lines: 11 Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch. I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. It feels like listening to an artificial clone of someone you loved. -- === Natalia Campbell === Dept of Electrical Engineering, Universität Hamburg Fachbereich Informatik "Hardware is temporary. The signal survives." From cduarte@tum.de Sun Nov 03 15:54:41 1996 Path: ashpoly!bigsur!pacrim!jpgate!kamome!tum!cduarte From: cduarte@tum.de (Camila Duarte) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Nov03.155441.6113@tum.de> Date: Sun, 03 Nov 1996 15:54:41 GMT References: <1996Nov02.010541.9414@uni-hamburg.de> Organization: Technische Universität München NNTP-Posting-Host: tum.de X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1996Nov02.010541.9414@uni-hamburg.de>, ncampbell@uni-hamburg.de (Natalia Campbell) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- Camila Duarte "5 sigma is a discovery. 7 is a question." Amiga 1200 (Blizzard 030/50) / System 7.5.1 From ehughes@cmu.edu Tue Nov 05 17:20:41 1996 Path: ashpoly!bigsur!pacrim!krgate!eunha!cmu!ehughes From: ehughes@cmu.edu (Élodie Hughes) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Nov05.172041.4642@cmu.edu> Date: Tue, 05 Nov 1996 17:20:41 GMT References: <1996Nov02.010541.9414@uni-hamburg.de> Organization: Carnegie Mellon University School of CS NNTP-Posting-Host: cmu.edu X-Newsreader: Netscape 1.1N Lines: 11 In article <1996Nov02.010541.9414@uni-hamburg.de>, ncampbell@uni-hamburg.de (Natalia Campbell) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. Send a 90-minute Type II CrO2 cassette with SASE to my university address for dubs. -- Élodie Hughes "Hold for relay." Mac IIci / 68882 FPU / SunOS 4.1.4 From dfournier@unam.mx Wed Nov 06 14:02:41 1996 Path: ashpoly!cascade!mxgate!coyoacan!unam!dfournier From: dfournier@unam.mx (Diego Fournier) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996Nov06.140241.3946@unam.mx> Date: Wed, 06 Nov 1996 14:02:41 GMT References: <1996Nov02.010541.9414@uni-hamburg.de> Organization: Universidad Nacional Autónoma de México (DGSCA) NNTP-Posting-Host: unam.mx X-Newsreader: WinVN 0.99.5 Lines: 9 In article <1996Nov02.010541.9414@uni-hamburg.de>, ncampbell@uni-hamburg.de (Natalia Campbell) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? Line 06: 'DO NOT WORSHIP THE COPY.' The decoded messages explicitly warned us about Luna Gray years before we understood. -- Diego Fournier Practical Peripherals 14.4 @ 9600 Telebit bps "Measuring a record you own is listening, not piracy."