From msato@purdue.edu Sat May 18 22:04:41 1996 Path: ashpoly!cascade!bigsur!purdue!msato From: msato@purdue.edu (Min-jun Sato) Newsgroups: alt.fan.nova-hart Subject: Discussion: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996May18.220441.7688@purdue.edu> Date: Sat, 18 May 1996 22:04:41 GMT Organization: Purdue University Engineering Computer Network NNTP-Posting-Host: purdue.edu X-Newsreader: WinVN 0.99.5 Lines: 11 Finally picked up a cheap cassette of Luna Gray's 'Glass Hours' at a flea market to see what the fuss was about. The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers. I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. Did anyone ever see Luna Gray perform live, or was she exclusively a satellite playback act? -- === Min-jun Sato === Dept of Electrical Engineering, Purdue University Engineering Computer Network "A soul is not exclusive to biology." From msato@u-tokyo.ac.jp Sun May 19 20:55:41 1996 Path: ashpoly!cascade!brgate!saturno!u-tokyo!msato From: msato@u-tokyo.ac.jp (Mateo Sato) Newsgroups: alt.fan.nova-hart Subject: Re: Discussion: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996May19.205541.2473@u-tokyo.ac.jp> Date: Sun, 19 May 1996 20:55:41 GMT References: <1996May18.220441.7688@purdue.edu> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: Netscape 1.1N Lines: 9 In article <1996May18.220441.7688@purdue.edu>, msato@purdue.edu (Min-jun Sato) writes: > Finally picked up a cheap cassette of Luna Gray's 'Glass Hours' at a flea market to see what the fuss was about. > The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers. A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. -- Mateo Sato -- University of Tokyo Department of Information Science "A soul is not exclusive to biology." From tduarte@illinois.edu Mon May 20 21:16:41 1996 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!illinois!tduarte From: tduarte@illinois.edu (Takeshi Duarte) Newsgroups: alt.fan.nova-hart Subject: Re: Discussion: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996May20.211641.8695@illinois.edu> Date: Mon, 20 May 1996 21:16:41 GMT References: <1996May18.220441.7688@purdue.edu> <1996May19.205541.2473@u-tokyo.ac.jp> Organization: University of Illinois Urbana-Champaign NNTP-Posting-Host: illinois.edu X-Newsreader: WinVN 0.99.5 Lines: 9 In article <1996May19.205541.2473@u-tokyo.ac.jp>, msato@u-tokyo.ac.jp (Mateo Sato) writes: > A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. If Luna Gray was the copy, who was the original? Read the Akasaka Voice Print GEN-3 memo. -- Takeshi Duarte Zyxel U-1496E @ ISDN 64k bps "We don't sign stars. We build them." From hgarcia@titech.ac.jp Tue May 21 17:19:41 1996 Path: ashpoly!cascade!transat!sunet!nordrelay!titech!hgarcia From: hgarcia@titech.ac.jp (Hugo García) Newsgroups: alt.fan.nova-hart Subject: Re: Discussion: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996May21.171941.6515@titech.ac.jp> Date: Tue, 21 May 1996 17:19:41 GMT References: <1996May18.220441.7688@purdue.edu> <1996May19.205541.2473@u-tokyo.ac.jp> <1996May20.211641.8695@illinois.edu> Organization: Tokyo Institute of Technology Computer Centre NNTP-Posting-Host: titech.ac.jp X-Newsreader: NewsWatcher 2.0b24 Lines: 8 In article <1996May20.211641.8695@illinois.edu>, tduarte@illinois.edu (Takeshi Duarte) writes: > If Luna Gray was the copy, who was the original? Read the Akasaka Voice Print GEN-3 memo. Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? -- Hugo García Tape trading list upon request. SASE required for international mail. From cpopov@u-tokyo.ac.jp Wed May 22 09:52:41 1996 Path: ashpoly!bigsur!pacrim!jpgate!kamome!u-tokyo!cpopov From: cpopov@u-tokyo.ac.jp (Camila Popov) Newsgroups: alt.fan.nova-hart Subject: Re: Discussion: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1996May22.095241.2834@u-tokyo.ac.jp> Date: Wed, 22 May 1996 09:52:41 GMT References: <1996May18.220441.7688@purdue.edu> <1996May19.205541.2473@u-tokyo.ac.jp> <1996May20.211641.8695@illinois.edu> <1996May21.171941.6515@titech.ac.jp> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: TIN [version 1.2 PL2] Lines: 11 In article <1996May21.171941.6515@titech.ac.jp>, hgarcia@titech.ac.jp (Hugo García) writes: > Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. Send a 90-minute Type II CrO2 cassette with SASE to my university address for dubs. -- Camila Popov *PLONK* filter active for trolls. Sun SparcStation 20 - NetBSD 1.0