From tnakamura@unam.mx Wed Nov 08 08:32:27 1995
Path: ashpoly!cascade!mxgate!coyoacan!unam!tnakamura
From: tnakamura@unam.mx (Tobias Nakamura)
Newsgroups: alt.fan.nova-hart
Subject: WTB/WTT: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Nov08.083227.5559@unam.mx>
Date: Wed, 08 Nov 1995 08:32:27 GMT
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Finally picked up a cheap cassette of Luna Gray's 'Glass Hours' at a flea market to see what the fuss was about.

The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit.
The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.

Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.'

-- 
Tobias Nakamura <tnakamura@unam.mx>
"In theory there is no difference between theory and practice."
NeXTstation Turbo Color / NEXTSTEP 3.3

From yduarte@rwth-aachen.de Thu Nov 09 16:13:27 1995
Path: ashpoly!bigsur!pacrim!krgate!eunha!rwth-aachen!yduarte
From: yduarte@rwth-aachen.de (Yuki Duarte)
Newsgroups: alt.fan.nova-hart
Subject: Re: WTB/WTT: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Nov09.161327.6045@rwth-aachen.de>
Date: Thu, 09 Nov 1995 16:13:27 GMT
References: <1995Nov08.083227.5559@unam.mx>
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In article <1995Nov08.083227.5559@unam.mx>, tnakamura@unam.mx (Tobias Nakamura) writes:
> Finally picked up a cheap cassette of Luna Gray's 'Glass Hours' at a flea market to see what the fuss was about.

Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

-- 
Yuki Duarte | yduarte@rwth-aachen.de
PGP Key fingerprint: 393D EF15 A3E7 2E1D
"Keep the channels open."

From asmirnov@netcom.com Sat Nov 11 03:13:27 1995
Path: ashpoly!bigsur!pacrim!jpgate!kamome!netcom!asmirnov
From: asmirnov@netcom.com (Astrid Smirnov)
Newsgroups: alt.fan.nova-hart
Subject: Re: WTB/WTT: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Nov11.031327.1884@netcom.com>
Date: Sat, 11 Nov 1995 03:13:27 GMT
References: <1995Nov08.083227.5559@unam.mx> <1995Nov09.161327.6045@rwth-aachen.de>
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In article <1995Nov09.161327.6045@rwth-aachen.de>, yduarte@rwth-aachen.de (Yuki Duarte) writes:
> Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel.

-- 
Astrid Smirnov
Tape trading list upon request. SASE required for international mail.