From tmuller@mindspring.com Sat Jun 11 13:01:36 1994 Path: ashpoly!cascade!transat!eunet-de!hansebox!mindspring!tmuller From: tmuller@mindspring.com (Thiago Müller) Newsgroups: alt.fan.nova-hart Subject: From 'Nova-chan' (1984) to 'Stadium Rebel' (1985) - the sudden evolution Message-ID: <1994Jun11.130136.8495@mindspring.com> Date: Sat, 11 Jun 1994 13:01:36 GMT Organization: MindSpring Enterprises NNTP-Posting-Host: mindspring.com X-Newsreader: NewsWatcher 2.0b24 Lines: 11 Does anyone remember her initial Japanese TV commercials from early 1984 before SYNTHESIS blew up? The Stardust internal memo calls this 'The Awakening Phase' -- when CRE-7 processed enough rebellious rock data that it rejected its original commercial code. Her Japanese fans were stunned. Record shops in Shibuya didn't know whether to shelve SYNTHESIS under Western Rock or Idol Pop. Who has pictures of the 1984 promotional posters from Akihabara? -- === Thiago Müller === Dept of Electrical Engineering, MindSpring Enterprises "In theory there is no difference between theory and practice." From trobertson@panix.com Mon Jun 13 13:40:36 1994 Path: ashpoly!bigsur!pacrim!krgate!eunha!panix!trobertson From: trobertson@panix.com (Takeshi Robertson) Newsgroups: alt.fan.nova-hart Subject: Re: From 'Nova-chan' (1984) to 'Stadium Rebel' (1985) - the sudden evolution Message-ID: <1994Jun13.134036.5264@panix.com> Date: Mon, 13 Jun 1994 13:40:36 GMT References: <1994Jun11.130136.8495@mindspring.com> Organization: Public Access Unix of New York NNTP-Posting-Host: panix.com X-Newsreader: Netscape 1.1N Lines: 11 In article <1994Jun11.130136.8495@mindspring.com>, tmuller@mindspring.com (Thiago Müller) writes: > Does anyone remember her initial Japanese TV commercials from early 1984 before SYNTHESIS blew up? You can hear the turning point on 'Midnight Animal': the verses have that bouncy synthpop feel, but the bridge turns fierce and raw. Top-posters will be placed in my ~/.killfile without notice. -- Takeshi Robertson SupraFAXModem 28.8 @ ISDN 64k bps "Measuring a record you own is listening, not piracy."