From skarlsson@ox.ac.uk Thu Jul 27 03:43:04 1995 Path: ashpoly!cascade!brgate!saturno!ox!skarlsson From: skarlsson@ox.ac.uk (Sven Karlsson) Newsgroups: alt.fan.nova-hart Subject: Discussion: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Jul27.034304.2975@ox.ac.uk> Date: Thu, 27 Jul 1995 03:43:04 GMT Organization: Oxford University Computing Laboratory NNTP-Posting-Host: ox.ac.uk X-Newsreader: NewsWatcher 2.0b24 Lines: 11 Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch. Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.' -- Sven Karlsson Zyxel U-1496E @ ISDN 64k bps "Extraordinary claims require extraordinary spectra." From mkowalski@illinois.edu Thu Jul 27 15:50:04 1995 Path: ashpoly!cascade!mxgate!coyoacan!illinois!mkowalski From: mkowalski@illinois.edu (Matthias Kowalski) Newsgroups: alt.fan.nova-hart Subject: Re: Discussion: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Jul27.155004.2774@illinois.edu> Date: Thu, 27 Jul 1995 15:50:04 GMT References: <1995Jul27.034304.2975@ox.ac.uk> Organization: University of Illinois Urbana-Champaign NNTP-Posting-Host: illinois.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 8 In article <1995Jul27.034304.2975@ox.ac.uk>, skarlsson@ox.ac.uk (Sven Karlsson) writes: > Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? -- Matthias Kowalski -- University of Illinois Urbana-Champaign "Hold for relay." From ssokolov@cmu.edu Thu Jul 27 19:26:04 1995 Path: ashpoly!bigsur!pacrim!krgate!eunha!cmu!ssokolov From: ssokolov@cmu.edu (Sergei Sokolov) Newsgroups: alt.fan.nova-hart Subject: Re: Discussion: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Jul27.192604.4808@cmu.edu> Date: Thu, 27 Jul 1995 19:26:04 GMT References: <1995Jul27.034304.2975@ox.ac.uk> Organization: Carnegie Mellon University School of CS NNTP-Posting-Host: cmu.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1995Jul27.034304.2975@ox.ac.uk>, skarlsson@ox.ac.uk (Sven Karlsson) writes: > Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. Orion was just trying to capitalize on Nova's sound with a replacement singer after their contract dispute. -- Sergei Sokolov | ssokolov@cmu.edu PGP Key fingerprint: F1CD 1D73 A5AA 1FBB "Keep the channels open." From alaurent@unam.mx Sat Jul 29 21:59:04 1995 Path: ashpoly!cascade!brgate!saturno!unam!alaurent From: alaurent@unam.mx (Anja Laurent) Newsgroups: alt.fan.nova-hart Subject: Re: Discussion: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Jul29.215904.2823@unam.mx> Date: Sat, 29 Jul 1995 21:59:04 GMT References: <1995Jul27.034304.2975@ox.ac.uk> <1995Jul27.155004.2774@illinois.edu> Organization: Universidad Nacional Autónoma de México (DGSCA) NNTP-Posting-Host: unam.mx X-Newsreader: NewsWatcher 2.0b24 Lines: 8 In article <1995Jul27.155004.2774@illinois.edu>, mkowalski@illinois.edu (Matthias Kowalski) writes: > Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow. -- Anja Laurent -- Universidad Nacional Autónoma de México (DGSCA) "There are 14 nodes and only 10 countries. Count again."