From bweber@inria.fr Thu Jun 02 23:10:12 1994
Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!inria!bweber
From: bweber@inria.fr (Bruno Weber)
Newsgroups: alt.fan.nova-hart
Subject: WTB/WTT: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Jun02.231012.6573@inria.fr>
Date: Thu, 02 Jun 1994 23:10:12 GMT
Organization: INRIA Rocquencourt
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Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.

The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.
The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit.

It feels like listening to an artificial clone of someone you loved.

-- 
Bruno Weber | bweber@inria.fr
PGP Key fingerprint: 9DE9 133C C26A 7D94
"Keep the channels open."

From aivanov@pacbell.net Sat Jun 04 00:50:12 1994
Path: ashpoly!bigsur!pacrim!jpgate!kamome!pacbell!aivanov
From: aivanov@pacbell.net (Anton Ivanov)
Newsgroups: alt.fan.nova-hart
Subject: Re: WTB/WTT: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Jun04.005012.2731@pacbell.net>
Date: Sat, 04 Jun 1994 00:50:12 GMT
References: <1994Jun02.231012.6573@inria.fr>
Organization: Pacific Bell Internet Services
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In article <1994Jun02.231012.6573@inria.fr>, bweber@inria.fr (Bruno Weber) writes:
> Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.

Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

-- 
Anton Ivanov | aivanov@pacbell.net
PGP Key fingerprint: 6763 B468 2BA1 2764
"Keep the channels open."

From kmoreno@mit.edu Sun Jun 05 16:10:12 1994
Path: ashpoly!cascade!transat!sunet!nordrelay!mit!kmoreno
From: kmoreno@mit.edu (Karen Moreno)
Newsgroups: alt.fan.nova-hart
Subject: Re: WTB/WTT: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Jun05.161012.4468@mit.edu>
Date: Sun, 05 Jun 1994 16:10:12 GMT
References: <1994Jun02.231012.6573@inria.fr> <1994Jun04.005012.2731@pacbell.net>
Organization: Massachusetts Institute of Technology
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In article <1994Jun04.005012.2731@pacbell.net>, aivanov@pacbell.net (Anton Ivanov) writes:
> Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

Line 06: 'DO NOT WORSHIP THE COPY.' The decoded messages explicitly warned us about Luna Gray years before we understood.

-- 
Karen Moreno -- Massachusetts Institute of Technology
"Row 14. No joke."