From tsokolov@stanford.edu Thu Jul 25 12:24:11 1996
Path: ashpoly!cascade!transat!eunet-de!hansebox!stanford!tsokolov
From: tsokolov@stanford.edu (Takeshi Sokolov)
Newsgroups: alt.fan.nova-hart
Subject: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Jul25.122411.8072@stanford.edu>
Date: Thu, 25 Jul 1996 12:24:11 GMT
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record.
The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.

Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.'

-- 
Takeshi Sokolov <tsokolov@stanford.edu>
"Marcus is not one man."
Mac IIci / 68882 FPU / NEXTSTEP 3.3

From fito@tum.de Fri Jul 26 21:38:11 1996
Path: ashpoly!cascade!brgate!saturno!tum!fito
From: fito@tum.de (Freya Ito)
Newsgroups: alt.fan.nova-hart
Subject: Re: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Jul26.213811.3233@tum.de>
Date: Fri, 26 Jul 1996 21:38:11 GMT
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In article <1996Jul25.122411.8072@stanford.edu>, tsokolov@stanford.edu (Takeshi Sokolov) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?
> I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record.

The album vanished from record stores within 6 months. Orion deleted the entire catalogue in late 1990.

-- 
=== Freya Ito ===
Dept of Electrical Engineering, Technische Universität München
"Hold for relay."

From fkim@delphi.com Sat Jul 27 10:22:11 1996
Path: ashpoly!cascade!mxgate!coyoacan!delphi!fkim
From: fkim@delphi.com (Freya Kim)
Newsgroups: alt.fan.nova-hart
Subject: Re: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Jul27.102211.7128@delphi.com>
Date: Sat, 27 Jul 1996 10:22:11 GMT
References: <1996Jul25.122411.8072@stanford.edu>
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In article <1996Jul25.122411.8072@stanford.edu>, tsokolov@stanford.edu (Takeshi Sokolov) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?
> I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record.

A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model.

-- 
Freya Kim <fkim@delphi.com>
"When every node is whole, the channel opens."
Sun 3/60 (SunOS 4.1.1) / TOS 4.04

From msilva@hanse.de Sat Jul 27 22:01:11 1996
Path: ashpoly!cascade!transat!ukc!fennimore!hanse!msilva
From: msilva@hanse.de (Mateo Silva)
Newsgroups: alt.fan.nova-hart
Subject: Re: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Jul27.220111.2620@hanse.de>
Date: Sat, 27 Jul 1996 22:01:11 GMT
References: <1996Jul25.122411.8072@stanford.edu>
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In article <1996Jul25.122411.8072@stanford.edu>, tsokolov@stanford.edu (Takeshi Sokolov) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel.

-- 
Mateo Silva | msilva@hanse.de
PGP Key fingerprint: 38DB 1593 B57D 7612
"Keep the channels open."