From clarsson@u-tokyo.ac.jp Tue Aug 02 18:30:25 1994 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!u-tokyo!clarsson From: clarsson@u-tokyo.ac.jp (Camila Larsson) Newsgroups: alt.fan.nova-hart Subject: Akasaka Master Tapes recovery (May 1995) - full tracklist analysis Message-ID: <1994Aug02.183025.3962@u-tokyo.ac.jp> Date: Tue, 02 Aug 1994 18:30:25 GMT Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: NewsWatcher 2.0b24 Lines: 11 Now that the files from kamome FTP have circulated, we need to talk about the Akasaka reels. Every single tape box is stamped 'VOICE PRINT: GEN-3' in purple ink. That matches the Ashford memo from 1989. The vocal track on 'Synthesized Smile' has a mechanical precision that doesn't sound like 1985 analog tape. Who was the engineer at the Akasaka branch? The studio log only lists the initials 'M.H.'. -- Camila Larsson | clarsson@u-tokyo.ac.jp PGP Key fingerprint: 026B 9355 0ECE 3D60 "Keep the channels open." From jbrennan@cern.ch Wed Aug 03 23:04:25 1994 Path: ashpoly!cascade!transat!sunet!nordrelay!cern!jbrennan From: jbrennan@cern.ch (Joachim Brennan) Newsgroups: alt.fan.nova-hart Subject: Re: Akasaka Master Tapes recovery (May 1995) - full tracklist analysis Message-ID: <1994Aug03.230425.7597@cern.ch> Date: Wed, 03 Aug 1994 23:04:25 GMT References: <1994Aug02.183025.3962@u-tokyo.ac.jp> Organization: European Laboratory for Particle Physics, Geneva NNTP-Posting-Host: cern.ch X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1994Aug02.183025.3962@u-tokyo.ac.jp>, clarsson@u-tokyo.ac.jp (Camila Larsson) writes: > Now that the files from kamome FTP have circulated, we need to talk about the Akasaka reels. > Every single tape box is stamped 'VOICE PRINT: GEN-3' in purple ink. That matches the Ashford memo from 1989. That whisper at the end gave me chills. It's in English, but with an inflection that sounds almost synthetic. -- Joachim Brennan -- European Laboratory for Particle Physics, Geneva "In theory there is no difference between theory and practice." From kmuller@purdue.edu Thu Aug 04 09:31:25 1994 Path: ashpoly!cascade!transat!sunet!nordrelay!purdue!kmuller From: kmuller@purdue.edu (Karen Müller) Newsgroups: alt.fan.nova-hart Subject: Re: Akasaka Master Tapes recovery (May 1995) - full tracklist analysis Message-ID: <1994Aug04.093125.9122@purdue.edu> Date: Thu, 04 Aug 1994 09:31:25 GMT References: <1994Aug02.183025.3962@u-tokyo.ac.jp> <1994Aug03.230425.7597@cern.ch> Organization: Purdue University Engineering Computer Network NNTP-Posting-Host: purdue.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1994Aug03.230425.7597@cern.ch>, jbrennan@cern.ch (Joachim Brennan) writes: > That whisper at the end gave me chills. It's in English, but with an inflection that sounds almost synthetic. Line 11 in the relay table says: 'The key is the pitch of my voice.' The Akasaka reels prove the pitch was modified. -- Karen Müller Opinions expressed are solely my own and not those of Purdue University Engineering Computer Network. ------------------------------------------------------------