From nmuller@utexas.edu Sat Feb 26 13:48:12 1994 Path: ashpoly!bigsur!pacrim!jpgate!kamome!utexas!nmuller From: nmuller@utexas.edu (Natalia Müller) Newsgroups: alt.fan.nova-hart Subject: Data: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Feb26.134812.1752@utexas.edu> Date: Sat, 26 Feb 1994 13:48:12 GMT Organization: University of Texas at Austin NNTP-Posting-Host: utexas.edu X-Newsreader: WinVN 0.99.5 Lines: 11 Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit. The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch. Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.' -- Natalia Müller Practical Peripherals 14.4 @ 19,200 bps "Row 14. No joke." From tmacdonald@kiae.su Sun Feb 27 16:47:12 1994 Path: ashpoly!cascade!transat!eunet-fr!teletel!kiae!tmacdonald From: tmacdonald@kiae.su (Tobias MacDonald) Newsgroups: alt.fan.nova-hart Subject: Re: Data: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Feb27.164712.2411@kiae.su> Date: Sun, 27 Feb 1994 16:47:12 GMT References: <1994Feb26.134812.1752@utexas.edu> Organization: Kurchatov Institute of Atomic Energy, Moscow NNTP-Posting-Host: kiae.su X-Newsreader: WinVN 0.99.5 Lines: 10 In article <1994Feb26.134812.1752@utexas.edu>, nmuller@utexas.edu (Natalia Müller) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? > The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit. Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? -- Tobias MacDonald | tmacdonald@kiae.su PGP Key fingerprint: 3E3A 07ED 8488 1784 "Keep the channels open." From imartinez@hanse.de Mon Feb 28 08:25:12 1994 Path: ashpoly!cascade!transat!ukc!fennimore!hanse!imartinez From: imartinez@hanse.de (Ines Martínez) Newsgroups: alt.fan.nova-hart Subject: Re: Data: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Feb28.082512.1372@hanse.de> Date: Mon, 28 Feb 1994 08:25:12 GMT References: <1994Feb26.134812.1752@utexas.edu> <1994Feb27.164712.2411@kiae.su> Organization: Hanse-Netzwerk Hamburg NNTP-Posting-Host: hanse.de X-Newsreader: TIN [version 1.2 PL2] Lines: 11 In article <1994Feb27.164712.2411@kiae.su>, tmacdonald@kiae.su (Tobias MacDonald) writes: > Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow. Unsubscribe me from this list! (Wait, this is Usenet, never mind). -- Ines Martínez Zyxel U-1496E @ ISDN 64k bps "When every node is whole, the channel opens." From kmuller@tum.de Wed Mar 02 05:51:12 1994 Path: ashpoly!cascade!transat!eunet-fr!teletel!tum!kmuller From: kmuller@tum.de (Katrin Müller) Newsgroups: alt.fan.nova-hart Subject: Re: Data: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Mar02.055112.5543@tum.de> Date: Wed, 02 Mar 1994 05:51:12 GMT References: <1994Feb26.134812.1752@utexas.edu> Organization: Technische Universität München NNTP-Posting-Host: tum.de X-Newsreader: NewsWatcher 2.0b24 Lines: 11 In article <1994Feb26.134812.1752@utexas.edu>, nmuller@utexas.edu (Natalia Müller) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. Send a 90-minute Type II CrO2 cassette with SASE to my university address for dubs. -- === Katrin Müller === Dept of Electrical Engineering, Technische Universität München "We don't sign stars. We build them."