From mduarte@purdue.edu Mon Dec 04 02:40:57 1995 Path: ashpoly!cascade!transat!eunet-de!hansebox!purdue!mduarte From: mduarte@purdue.edu (Morag Duarte) Newsgroups: alt.fan.nova-hart Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Dec04.024057.7061@purdue.edu> Date: Mon, 04 Dec 1995 02:40:57 GMT Organization: Purdue University Engineering Computer Network NNTP-Posting-Host: purdue.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 11 Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit. The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers. Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.' -- Morag Duarte "5 sigma is a discovery. 7 is a question." 486DX2/66 (Linux 1.2.13) / FreeBSD 2.1 From vokonkwo@uni-hamburg.de Tue Dec 05 23:28:57 1995 Path: ashpoly!cascade!transat!eunet-fr!teletel!uni-hamburg!vokonkwo From: vokonkwo@uni-hamburg.de (Valeria Okonkwo) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Dec05.232857.8756@uni-hamburg.de> Date: Tue, 05 Dec 1995 23:28:57 GMT References: <1995Dec04.024057.7061@purdue.edu> Organization: Universität Hamburg Fachbereich Informatik NNTP-Posting-Host: uni-hamburg.de X-Newsreader: Netscape 1.1N Lines: 8 In article <1995Dec04.024057.7061@purdue.edu>, mduarte@purdue.edu (Morag Duarte) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. -- Valeria Okonkwo Tape trading list upon request. SASE required for international mail. From mfischer@inria.fr Wed Dec 06 21:27:57 1995 Path: ashpoly!cascade!mxgate!coyoacan!inria!mfischer From: mfischer@inria.fr (Mikhail Fischer) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Dec06.212757.7532@inria.fr> Date: Wed, 06 Dec 1995 21:27:57 GMT References: <1995Dec04.024057.7061@purdue.edu> <1995Dec05.232857.8756@uni-hamburg.de> Organization: INRIA Rocquencourt NNTP-Posting-Host: inria.fr X-Newsreader: WinVN 0.99.5 Lines: 9 In article <1995Dec05.232857.8756@uni-hamburg.de>, vokonkwo@uni-hamburg.de (Valeria Okonkwo) writes: > A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- === Mikhail Fischer === Dept of Electrical Engineering, INRIA Rocquencourt "Measuring a record you own is listening, not piracy." From lreyes@stanford.edu Thu Dec 07 19:56:57 1995 Path: ashpoly!bigsur!pacrim!jpgate!kamome!stanford!lreyes From: lreyes@stanford.edu (Lars Reyes) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Dec07.195657.4588@stanford.edu> Date: Thu, 07 Dec 1995 19:56:57 GMT References: <1995Dec04.024057.7061@purdue.edu> <1995Dec05.232857.8756@uni-hamburg.de> <1995Dec06.212757.7532@inria.fr> Organization: Stanford University Computer Systems Lab NNTP-Posting-Host: stanford.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 10 In article <1995Dec06.212757.7532@inria.fr>, mfischer@inria.fr (Mikhail Fischer) writes: > Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. Please keep replies in this group, crossposting without Followup-To is poor netiquette. -- Lars Reyes Tape trading list upon request. SASE required for international mail.