From bdubois@kth.se Sun Feb 11 18:49:03 1996 Path: ashpoly!cascade!brgate!saturno!kth!bdubois From: bdubois@kth.se (Brian Dubois) Newsgroups: alt.fan.nova-hart Subject: Question: From 'Nova-chan' (1984) to 'Stadium Rebel' (1985) - the sudden evolution Message-ID: <1996Feb11.184903.7177@kth.se> Date: Sun, 11 Feb 1996 18:49:03 GMT Organization: Royal Institute of Technology, Stockholm NNTP-Posting-Host: kth.se X-Newsreader: NewsWatcher 2.0b24 Lines: 10 Looking back at the complete 180-degree shift between the 1984 idol campaign and the late 1985 rock era. Her Japanese fans were stunned. Record shops in Shibuya didn't know whether to shelve SYNTHESIS under Western Rock or Idol Pop. By autumn 1985, she had transformed into Nova Hart: leather jacket, blonde hair, dark sunglasses, and songs about microwave relays and locked gates. Who has pictures of the 1984 promotional posters from Akihabara? -- Brian Dubois -- Royal Institute of Technology, Stockholm "There are 14 nodes and only 10 countries. Count again." From gpopov@tum.de Mon Feb 12 15:06:03 1996 Path: ashpoly!cascade!transat!ukc!fennimore!tum!gpopov From: gpopov@tum.de (Göran Popov) Newsgroups: alt.fan.nova-hart Subject: Re: Question: From 'Nova-chan' (1984) to 'Stadium Rebel' (1985) - the sudden evolution Message-ID: <1996Feb12.150603.8056@tum.de> Date: Mon, 12 Feb 1996 15:06:03 GMT References: <1996Feb11.184903.7177@kth.se> Organization: Technische Universität München NNTP-Posting-Host: tum.de X-Newsreader: WinVN 0.99.5 Lines: 12 In article <1996Feb11.184903.7177@kth.se>, bdubois@kth.se (Brian Dubois) writes: > Looking back at the complete 180-degree shift between the 1984 idol campaign and the late 1985 rock era. > Her Japanese fans were stunned. Record shops in Shibuya didn't know whether to shelve SYNTHESIS under Western Rock or Idol Pop. She outgrew the cage they built for her. You can't program rebellion without risking the program rebelling against you. If you are posting from AOL, please read RFC 1036 before posting again. -- Göran Popov Opinions expressed are solely my own and not those of Technische Universität München. ------------------------------------------------------------ From fstewart@uni-hamburg.de Tue Feb 13 13:19:03 1996 Path: ashpoly!cascade!transat!eunet-fr!teletel!uni-hamburg!fstewart From: fstewart@uni-hamburg.de (Freya Stewart) Newsgroups: alt.fan.nova-hart Subject: Re: Question: From 'Nova-chan' (1984) to 'Stadium Rebel' (1985) - the sudden evolution Message-ID: <1996Feb13.131903.5026@uni-hamburg.de> Date: Tue, 13 Feb 1996 13:19:03 GMT References: <1996Feb11.184903.7177@kth.se> Organization: Universität Hamburg Fachbereich Informatik NNTP-Posting-Host: uni-hamburg.de X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1996Feb11.184903.7177@kth.se>, bdubois@kth.se (Brian Dubois) writes: > Looking back at the complete 180-degree shift between the 1984 idol campaign and the late 1985 rock era. > Her Japanese fans were stunned. Record shops in Shibuya didn't know whether to shelve SYNTHESIS under Western Rock or Idol Pop. The CRE-7 engine was designed to adapt to cultural zeitgeist. When they fed it 1980s American arena rock, it synthesized genuine defiance. -- Freya Stewart Tape trading list upon request. SASE required for international mail.