From smoreau@mit.edu Sun May 22 18:30:19 1994 Path: ashpoly!cascade!bigsur!mit!smoreau From: smoreau@mit.edu (Sergei Moreau) Newsgroups: alt.fan.nova-hart Subject: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994May22.183019.8500@mit.edu> Date: Sun, 22 May 1994 18:30:19 GMT Organization: Massachusetts Institute of Technology NNTP-Posting-Host: mit.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 11 Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit. Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.' -- Sergei Moreau *PLONK* filter active for trolls. Sun SparcStation 20 - NetBSD 1.0 From skarlsson@demon.co.uk Sun May 22 20:34:19 1994 Path: ashpoly!cascade!transat!sunet!nordrelay!demon!skarlsson From: skarlsson@demon.co.uk (Seo-yeon Karlsson) Newsgroups: alt.fan.nova-hart Subject: Re: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994May22.203419.4110@demon.co.uk> Date: Sun, 22 May 1994 20:34:19 GMT References: <1994May22.183019.8500@mit.edu> Organization: Demon Internet Services UK NNTP-Posting-Host: demon.co.uk X-Newsreader: WinVN 0.99.5 Lines: 10 In article <1994May22.183019.8500@mit.edu>, smoreau@mit.edu (Sergei Moreau) writes: > Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. > I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? -- Seo-yeon Karlsson Opinions expressed are solely my own and not those of Demon Internet Services UK. ------------------------------------------------------------ From areyes@berkeley.edu Tue May 24 23:58:19 1994 Path: ashpoly!bigsur!pacrim!krgate!eunha!berkeley!areyes From: areyes@berkeley.edu (Anja Reyes) Newsgroups: alt.fan.nova-hart Subject: Re: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994May24.235819.2757@berkeley.edu> Date: Tue, 24 May 1994 23:58:19 GMT References: <1994May22.183019.8500@mit.edu> <1994May22.203419.4110@demon.co.uk> Organization: UC Berkeley Department of EECS NNTP-Posting-Host: berkeley.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 11 In article <1994May22.203419.4110@demon.co.uk>, skarlsson@demon.co.uk (Seo-yeon Karlsson) writes: > Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. Top-posters will be placed in my ~/.killfile without notice. -- Anja Reyes | areyes@berkeley.edu PGP Key fingerprint: D49B F028 0B7E BEE0 "Keep the channels open." From skang@uni-hamburg.de Wed May 25 07:54:19 1994 Path: ashpoly!cascade!bigsur!uni-hamburg!skang From: skang@uni-hamburg.de (Sun-mi Kang) Newsgroups: alt.fan.nova-hart Subject: Re: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994May25.075419.1235@uni-hamburg.de> Date: Wed, 25 May 1994 07:54:19 GMT References: <1994May22.183019.8500@mit.edu> <1994May22.203419.4110@demon.co.uk> Organization: Universität Hamburg Fachbereich Informatik NNTP-Posting-Host: uni-hamburg.de X-Newsreader: WinVN 0.99.5 Lines: 9 In article <1994May22.203419.4110@demon.co.uk>, skarlsson@demon.co.uk (Seo-yeon Karlsson) writes: > Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- Sun-mi Kang "Hardware is temporary. The signal survives." Pentium 90 (OS/2 Warp) / AmigaOS 3.1 From nnilsson@unam.mx Wed May 25 12:13:19 1994 Path: ashpoly!bigsur!pacrim!jpgate!kamome!unam!nnilsson From: nnilsson@unam.mx (Nadine Nilsson) Newsgroups: alt.fan.nova-hart Subject: Re: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994May25.121319.3223@unam.mx> Date: Wed, 25 May 1994 12:13:19 GMT References: <1994May22.183019.8500@mit.edu> <1994May22.203419.4110@demon.co.uk> <1994May24.235819.2757@berkeley.edu> Organization: Universidad Nacional Autónoma de México (DGSCA) NNTP-Posting-Host: unam.mx X-Newsreader: Netscape 1.1N Lines: 11 In article <1994May24.235819.2757@berkeley.edu>, areyes@berkeley.edu (Anja Reyes) writes: > Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. > Top-posters will be placed in my ~/.killfile without notice. I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow. If you are posting from AOL, please read RFC 1036 before posting again. -- Nadine Nilsson -- Universidad Nacional Autónoma de México (DGSCA) "They will send a copy in my place."