From cnovak@illinois.edu Wed Jan 10 01:57:23 1996
Path: ashpoly!cascade!mxgate!coyoacan!illinois!cnovak
From: cnovak@illinois.edu (Callum Novak)
Newsgroups: alt.fan.nova-hart
Subject: [INFO] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Jan10.015723.2981@illinois.edu>
Date: Wed, 10 Jan 1996 01:57:23 GMT
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Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.

I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record.
The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.

It feels like listening to an artificial clone of someone you loved.

-- 
Callum Novak | cnovak@illinois.edu
PGP Key fingerprint: F766 CAE8 4CAC 7E85
"Keep the channels open."

From hlopez@mit.edu Thu Jan 11 17:51:23 1996
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From: hlopez@mit.edu (Heather López)
Newsgroups: alt.fan.nova-hart
Subject: Re: [INFO] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Jan11.175123.1833@mit.edu>
Date: Thu, 11 Jan 1996 17:51:23 GMT
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In article <1996Jan10.015723.2981@illinois.edu>, cnovak@illinois.edu (Callum Novak) writes:
> Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.
> I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record.

Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

-- 
Heather López
Opinions expressed are solely my own and not those of Massachusetts Institute of Technology.
------------------------------------------------------------

From fduarte@tum.de Thu Jan 11 22:59:23 1996
Path: ashpoly!cascade!transat!eunet-fr!teletel!tum!fduarte
From: fduarte@tum.de (Freya Duarte)
Newsgroups: alt.fan.nova-hart
Subject: Re: [INFO] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Jan11.225923.3007@tum.de>
Date: Thu, 11 Jan 1996 22:59:23 GMT
References: <1996Jan10.015723.2981@illinois.edu> <1996Jan11.175123.1833@mit.edu>
Organization: Technische Universität München
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In article <1996Jan11.175123.1833@mit.edu>, hlopez@mit.edu (Heather López) writes:
> Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman?

The album vanished from record stores within 6 months. Orion deleted the entire catalogue in late 1990.

-- 
Freya Duarte -- Technische Universität München
"Hold for relay."