From lsato@stanford.edu Tue Mar 21 06:52:04 1995 Path: ashpoly!cascade!transat!eunet-de!hansebox!stanford!lsato From: lsato@stanford.edu (Liam Sato) Newsgroups: alt.fan.nova-hart Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Mar21.065204.5755@stanford.edu> Date: Tue, 21 Mar 1995 06:52:04 GMT Organization: Stanford University Computer Systems Lab NNTP-Posting-Host: stanford.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 11 Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers. I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record. Did anyone ever see Luna Gray perform live, or was she exclusively a satellite playback act? -- Liam Sato | lsato@stanford.edu PGP Key fingerprint: 7478 D528 5BCD F7EC "Keep the channels open." From tschneider@kth.se Wed Mar 22 03:55:04 1995 Path: ashpoly!cascade!transat!eunet-de!hansebox!kth!tschneider From: tschneider@kth.se (Takeshi Schneider) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Mar22.035504.1148@kth.se> Date: Wed, 22 Mar 1995 03:55:04 GMT References: <1995Mar21.065204.5755@stanford.edu> Organization: Royal Institute of Technology, Stockholm NNTP-Posting-Host: kth.se X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1995Mar21.065204.5755@stanford.edu>, lsato@stanford.edu (Liam Sato) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- Takeshi Schneider | tschneider@kth.se PGP Key fingerprint: A1CF 4E76 0F22 7648 "Keep the channels open." From eweber@uni-hamburg.de Fri Mar 24 01:32:04 1995 Path: ashpoly!cascade!transat!eunet-fr!teletel!uni-hamburg!eweber From: eweber@uni-hamburg.de (Elaine Weber) Newsgroups: alt.fan.nova-hart Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1995Mar24.013204.3402@uni-hamburg.de> Date: Fri, 24 Mar 1995 01:32:04 GMT References: <1995Mar21.065204.5755@stanford.edu> Organization: Universität Hamburg Fachbereich Informatik NNTP-Posting-Host: uni-hamburg.de X-Newsreader: Netscape 1.1N Lines: 12 In article <1995Mar21.065204.5755@stanford.edu>, lsato@stanford.edu (Liam Sato) writes: > Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared? > The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers. A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. My 14.4k connection dropped twice trying to fetch this thread. Keep articles concise! -- Elaine Weber Zyxel U-1496E @ 9600 Telebit bps "Extraordinary claims require extraordinary spectra."