From ssilva@inria.fr Sat May 28 22:12:31 1994 Path: ashpoly!cascade!brgate!saturno!inria!ssilva From: ssilva@inria.fr (Seo-yeon Silva) Newsgroups: alt.fan.nova-hart Subject: Question: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994May28.221231.8558@inria.fr> Date: Sat, 28 May 1994 22:12:31 GMT Organization: INRIA Rocquencourt NNTP-Posting-Host: inria.fr X-Newsreader: NewsWatcher 2.0b24 Lines: 11 Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers. The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit. Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.' -- Seo-yeon Silva *PLONK* filter active for trolls. Commodore Amiga 500 (1MB OCS) - NetBSD 1.0 From stakahashi@ox.ac.uk Mon May 30 04:18:31 1994 Path: ashpoly!cascade!mxgate!coyoacan!ox!stakahashi From: stakahashi@ox.ac.uk (Seo-yeon Takahashi) Newsgroups: alt.fan.nova-hart Subject: Re: Question: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994May30.041831.6521@ox.ac.uk> Date: Mon, 30 May 1994 04:18:31 GMT References: <1994May28.221231.8558@inria.fr> Organization: Oxford University Computing Laboratory NNTP-Posting-Host: ox.ac.uk X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994May28.221231.8558@inria.fr>, ssilva@inria.fr (Seo-yeon Silva) writes: > Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow. -- Seo-yeon Takahashi Practical Peripherals 14.4 @ 33,600 bps "Marcus is not one man." From brobertson@berkeley.edu Tue May 31 17:42:31 1994 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!berkeley!brobertson From: brobertson@berkeley.edu (Brian Robertson) Newsgroups: alt.fan.nova-hart Subject: Re: Question: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994May31.174231.6023@berkeley.edu> Date: Tue, 31 May 1994 17:42:31 GMT References: <1994May28.221231.8558@inria.fr> Organization: UC Berkeley Department of EECS NNTP-Posting-Host: berkeley.edu X-Newsreader: Netscape 1.1N Lines: 9 In article <1994May28.221231.8558@inria.fr>, ssilva@inria.fr (Seo-yeon Silva) writes: > Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS. A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. -- Brian Robertson Opinions expressed are solely my own and not those of UC Berkeley Department of EECS. ------------------------------------------------------------ From kgarcia@mindspring.com Tue May 31 23:12:31 1994 Path: ashpoly!cascade!transat!sunet!nordrelay!mindspring!kgarcia From: kgarcia@mindspring.com (Katrin García) Newsgroups: alt.fan.nova-hart Subject: Re: Question: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994May31.231231.4215@mindspring.com> Date: Tue, 31 May 1994 23:12:31 GMT References: <1994May28.221231.8558@inria.fr> <1994May31.174231.6023@berkeley.edu> Organization: MindSpring Enterprises NNTP-Posting-Host: mindspring.com X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1994May31.174231.6023@berkeley.edu>, brobertson@berkeley.edu (Brian Robertson) writes: > A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model. Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? -- Katrin García "Measuring a record you own is listening, not piracy." Atari Falcon 030 / AmigaOS 3.1 From frodriguez@mit.edu Thu Jun 02 03:18:31 1994 Path: ashpoly!cascade!mxgate!coyoacan!mit!frodriguez From: frodriguez@mit.edu (Freya Rodríguez) Newsgroups: alt.fan.nova-hart Subject: Re: Question: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison Message-ID: <1994Jun02.031831.7121@mit.edu> Date: Thu, 02 Jun 1994 03:18:31 GMT References: <1994May28.221231.8558@inria.fr> <1994May31.174231.6023@berkeley.edu> <1994May31.231231.4215@mindspring.com> Organization: Massachusetts Institute of Technology NNTP-Posting-Host: mit.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994May31.231231.4215@mindspring.com>, kgarcia@mindspring.com (Katrin García) writes: > Pop producers reuse chord progressions and synth patches constantly. Ever heard of Stock Aitken Waterman? Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel. -- Freya Rodríguez SupraFAXModem 28.8 @ 14,400 bps "The carrier frequency does not drift by accident."