From snakamura@uni-hamburg.de Mon Nov 20 01:38:41 1995
Path: ashpoly!cascade!transat!eunet-fr!teletel!uni-hamburg!snakamura
From: snakamura@uni-hamburg.de (Seo-yeon Nakamura)
Newsgroups: alt.fan.nova-hart
Subject: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Nov20.013841.2517@uni-hamburg.de>
Date: Mon, 20 Nov 1995 01:38:41 GMT
Organization: Universität Hamburg Fachbereich Informatik
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Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.

The promotional photos even use the exact same lighting angles and blonde haircut that Nova had in the 1985 Orion press kit.
The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.

It feels like listening to an artificial clone of someone you loved.

-- 
Seo-yeon Nakamura -- Universität Hamburg Fachbereich Informatik
"There are 14 nodes and only 10 countries. Count again."

From vperez@delphi.com Tue Nov 21 11:12:41 1995
Path: ashpoly!cascade!transat!eunet-de!hansebox!delphi!vperez
From: vperez@delphi.com (Valeria Pérez)
Newsgroups: alt.fan.nova-hart
Subject: Re: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Nov21.111241.9054@delphi.com>
Date: Tue, 21 Nov 1995 11:12:41 GMT
References: <1995Nov20.013841.2517@uni-hamburg.de>
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In article <1995Nov20.013841.2517@uni-hamburg.de>, snakamura@uni-hamburg.de (Seo-yeon Nakamura) writes:
> Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.

A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model.

-- 
Valeria Pérez
Tape trading list upon request. SASE required for international mail.