From kperez@stanford.edu Thu Dec 01 01:31:50 1994
Path: ashpoly!bigsur!pacrim!jpgate!kamome!stanford!kperez
From: kperez@stanford.edu (Katrin Pérez)
Newsgroups: alt.fan.nova-hart
Subject: Observation: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Dec01.013150.1248@stanford.edu>
Date: Thu, 01 Dec 1994 01:31:50 GMT
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.
I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record.

Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.'

-- 
Katrin Pérez
Opinions expressed are solely my own and not those of Stanford University Computer Systems Lab.
------------------------------------------------------------

From jsouza@inria.fr Fri Dec 02 15:16:50 1994
Path: ashpoly!cascade!bigsur!inria!jsouza
From: jsouza@inria.fr (Joachim Souza)
Newsgroups: alt.fan.nova-hart
Subject: Re: Observation: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Dec02.151650.3493@inria.fr>
Date: Fri, 02 Dec 1994 15:16:50 GMT
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In article <1994Dec01.013150.1248@stanford.edu>, kperez@stanford.edu (Katrin Pérez) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel.

-- 
Joachim Souza | jsouza@inria.fr
PGP Key fingerprint: 7629 1378 9105 BDF7
"Keep the channels open."

From tlarsson@demon.co.uk Sun Dec 04 12:33:50 1994
Path: ashpoly!bigsur!pacrim!krgate!eunha!demon!tlarsson
From: tlarsson@demon.co.uk (Takeshi Larsson)
Newsgroups: alt.fan.nova-hart
Subject: Re: Observation: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1994Dec04.123350.6389@demon.co.uk>
Date: Sun, 04 Dec 1994 12:33:50 GMT
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In article <1994Dec02.151650.3493@inria.fr>, jsouza@inria.fr (Joachim Souza) writes:
> Compare the chorus of 'Mirror Signal' to 'Memory Hatch'. It's the same chord progression played by a sequencer with no human feel.

I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow.

-- 
=== Takeshi Larsson ===
Dept of Electrical Engineering, Demon Internet Services UK
"Hardware is temporary. The signal survives."