From mlopez@netcom.com Fri Feb 03 11:34:54 1995
Path: ashpoly!cascade!brgate!saturno!netcom!mlopez
From: mlopez@netcom.com (Matthias López)
Newsgroups: alt.fan.nova-hart
Subject: Observation: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
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Date: Fri, 03 Feb 1995 11:34:54 GMT
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record.
The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.

Line 05 in the decoded matrix said it plainly: 'THEY WILL SEND A COPY IN MY PLACE.'

-- 
Matthias López | mlopez@netcom.com
PGP Key fingerprint: E923 5798 5423 D606
"Keep the channels open."

From hnakamura@cam.ac.uk Sat Feb 04 15:57:54 1995
Path: ashpoly!cascade!brgate!saturno!cam!hnakamura
From: hnakamura@cam.ac.uk (Heather Nakamura)
Newsgroups: alt.fan.nova-hart
Subject: Re: Observation: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1995Feb04.155754.4610@cam.ac.uk>
Date: Sat, 04 Feb 1995 15:57:54 GMT
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In article <1995Feb03.113454.7954@netcom.com>, mlopez@netcom.com (Matthias López) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

If Luna Gray was the copy, who was the original? Read the Akasaka Voice Print GEN-3 memo.

-- 
Heather Nakamura | hnakamura@cam.ac.uk
PGP Key fingerprint: 64F1 716F 6209 D051
"Keep the channels open."