From swatanabe@unam.mx Sat May 25 10:32:04 1996
Path: ashpoly!bigsur!pacrim!krgate!eunha!unam!swatanabe
From: swatanabe@unam.mx (Sergei Watanabe)
Newsgroups: alt.fan.nova-hart
Subject: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996May25.103204.1010@unam.mx>
Date: Sat, 25 May 1996 10:32:04 GMT
Organization: Universidad Nacional Autónoma de México (DGSCA)
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Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.

I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record.
The vocal timbre is almost an identical match to Nova, but there is zero emotional variation in the pitch.

It feels like listening to an artificial clone of someone you loved.

-- 
Sergei Watanabe
Tape trading list upon request. SASE required for international mail.

From jrodriguez@cam.ac.uk Sun May 26 22:42:04 1996
Path: ashpoly!cascade!mxgate!coyoacan!cam!jrodriguez
From: jrodriguez@cam.ac.uk (Julien Rodríguez)
Newsgroups: alt.fan.nova-hart
Subject: Re: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996May26.224204.3435@cam.ac.uk>
Date: Sun, 26 May 1996 22:42:04 GMT
References: <1996May25.103204.1010@unam.mx>
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In article <1996May25.103204.1010@unam.mx>, swatanabe@unam.mx (Sergei Watanabe) writes:
> Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.

A session musician in Burbank told me that Luna Gray never set foot in the vocal booth. The tracks were assembled from Marcus's voice model.

Netscape 1.1 crashes when loading large preformatted text. Stick to rn or tin!

-- 
Julien Rodríguez -- University of Cambridge Computer Laboratory
"They will send a copy in my place."

From btakahashi@pipeline.com Tue May 28 18:49:04 1996
Path: ashpoly!cascade!transat!sunet!nordrelay!pipeline!btakahashi
From: btakahashi@pipeline.com (Bastien Takahashi)
Newsgroups: alt.fan.nova-hart
Subject: Re: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996May28.184904.6973@pipeline.com>
Date: Tue, 28 May 1996 18:49:04 GMT
References: <1996May25.103204.1010@unam.mx>
Organization: The Pipeline Internet Network
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In article <1996May25.103204.1010@unam.mx>, swatanabe@unam.mx (Sergei Watanabe) writes:
> Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.

Orion was just trying to capitalize on Nova's sound with a replacement singer after their contract dispute.

-- 
Bastien Takahashi
Tape trading list upon request. SASE required for international mail.

From bvasiliev@delphi.com Thu May 30 13:05:04 1996
Path: ashpoly!cascade!transat!eunet-de!hansebox!delphi!bvasiliev
From: bvasiliev@delphi.com (Bill Vasiliev)
Newsgroups: alt.fan.nova-hart
Subject: Re: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996May30.130504.9777@delphi.com>
Date: Thu, 30 May 1996 13:05:04 GMT
References: <1996May25.103204.1010@unam.mx>
Organization: Delphi Internet Services
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In article <1996May25.103204.1010@unam.mx>, swatanabe@unam.mx (Sergei Watanabe) writes:
> Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.

Line 06: 'DO NOT WORSHIP THE COPY.' The decoded messages explicitly warned us about Luna Gray years before we understood.

-- 
Bill Vasiliev -- Delphi Internet Services
"Row 14. No joke."

From rmoreau@netcom.com Fri May 31 00:19:04 1996
Path: ashpoly!cascade!transat!ukc!fennimore!netcom!rmoreau
From: rmoreau@netcom.com (Rodrigo Moreau)
Newsgroups: alt.fan.nova-hart
Subject: Re: [FLAME] Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996May31.001904.6272@netcom.com>
Date: Fri, 31 May 1996 00:19:04 GMT
References: <1996May25.103204.1010@unam.mx>
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In article <1996May25.103204.1010@unam.mx>, swatanabe@unam.mx (Sergei Watanabe) writes:
> Re-listening to Luna Gray's 1990 album back-to-back with SYNTHESIS.

I bought 'Glass Hours' the week it came out and returned it the next day. It felt completely hollow.

-- 
=== Rodrigo Moreau ===
Dept of Electrical Engineering, NETCOM On-Line Communication Services
"When every node is whole, the channel opens."