From clee@kth.se Sat Mar 16 22:02:11 1996
Path: ashpoly!cascade!transat!eunet-fr!teletel!kth!clee
From: clee@kth.se (Callum Lee)
Newsgroups: alt.fan.nova-hart
Subject: WTB/WTT: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Mar16.220211.1550@kth.se>
Date: Sat, 16 Mar 1996 22:02:11 GMT
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Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

The songwriting credits list 'Orion Advanced Audio Synthesis Group' instead of individual composers.
I ran both through an FFT analyzer: Luna Gray has absolutely NO 14.2 Hz subcarrier anywhere on the record.

It feels like listening to an artificial clone of someone you loved.

-- 
Callum Lee <clee@kth.se>
"Hold for relay."
NeXTstation Turbo Color / NEXTSTEP 3.3

From lfournier@hanse.de Mon Mar 18 23:43:11 1996
Path: ashpoly!cascade!transat!ukc!fennimore!hanse!lfournier
From: lfournier@hanse.de (Lars Fournier)
Newsgroups: alt.fan.nova-hart
Subject: Re: WTB/WTT: Luna Gray's 'Glass Hours' (1990) vs SYNTHESIS - the comparison
Message-ID: <1996Mar18.234311.9860@hanse.de>
Date: Mon, 18 Mar 1996 23:43:11 GMT
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In article <1996Mar16.220211.1550@kth.se>, clee@kth.se (Callum Lee) writes:
> Why did Orion push Luna Gray so aggressively in 1990 right after Nova disappeared?

Orion was just trying to capitalize on Nova's sound with a replacement singer after their contract dispute.

Please keep replies in this group, crossposting without Followup-To is poor netiquette.

-- 
Lars Fournier | lfournier@hanse.de
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